• Miniature of the Adoration of the Magi, Virgin and child sitting in a bed, decorated initial 'D'(eus), and full foliate border, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use fo Tournai

126, 126v, 127v, 128). Smaller initials in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in blue. Book of Hours, Use fo Tournai Calendar with a choice

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of historiated initial of God creating the world, at the beginning of Genesis., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of Creation miniatures, in the lower margin at the beginning of Genesis., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniature of the Fall, in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Creation of Eve., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of a miniature of the Expulsion., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Detail of miniatures of Noah's ark in the lower margin., Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Puzzle initial., Les Ethiques d'Aristote

by a large initial in gold on a red and blue ground (f. 1). 2 large puzzle initials in red and blue (ff. 31, 51). 7 large initials in plain blue (ff. 88, 119, 158, 183, 219, 249, 282). Small

• Historiated initial 'Q'(ui) of Christ carrying the cross., De imitatione Christi

in red or blue at the beginning of books 2, 3 and 4 (ff. 28v, 45, 101v). Numerous smaller initials in blue or red at the beginning of chapters. Rubrics and running headers in red. Paraphs in blue or red.

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• null, Old Testament (volume 1), Genesis to Ruth, with prologues

Large initials in colours. Large initials in red with brown and sometimes red penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Highlighting of letters in red. Old Testament (volume 1), Genesis to Ruth,

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Opening of Martial's Liber de Spectaculis, with the title in the square capitals attributed to Bartolomeo Sanvito, and the text to Pompino Leto, with the illuminated white vine-stem initial 'B'(arbara)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated initial 'Q'(uae) and lower border with white vine-stem decoration, green parrots, and putti holding a wreath (left blank, perhaps for the addition of a coat of arms)., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue

• Illuminated white vine-stem initial 'Q'(uid) at the beginning of Book II of Martial's Epigrams; the text attributed to Pomponio Leto., Epigrams, preceeded by the Liber de Spectaculis (ff. 1-5, imperfect)

in blue for minor divisions. Square capitals used as display script with words in blue or gold (f. 1).Initials attributed to Gioacchino de Gigantibus (the parrots characteristic of his style). Square capitals used as display script with words in blue