• Table of eclipses of the sun., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface., Astronomical Calendar

Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning

• Decorated initial 'D'(omine) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Ink sketch of a decorated initial 'P'(uer) with foliate borders., Missal, Augustinian use

decorated initials, in colours and gold (ff. 28v, 38 (x2), 38v, 114 (x2), 115 (x2)). Small initials in plain red, blue or green, a few with pen-flourishing or penwork decoration in green, red or brown.ff. 148-250v: 1 large initial in

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• null, Letters and Orations (index Orationes), with prefaces

Vertical catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters

• null, Letters and Orations (index Orationes), with prefaces

Vertical catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters

• Full border with rinceaux decoration, foliate motifs, and birds, with the coat of arms of Petrus de Foix, supported by two angels, and the historiated initial 'E'(go) with a man at a lecturn., Epistolae (index Letters)

81v, 95v, 104, 115, 136, 144v). Large initial in red with blue and red penwork decoration (f. 132). Alternating blue initials with red penwork decoration and red initials with blue penwork decoration. Marginal sketches added in brown ink (ff. 29v,

• Illuminated initial 'Q'(uod) at the beginning ofDemosthenes's letters., Letters and Orations (index Orationes), with prefaces

Vertical catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters

• Initial 'N'(on) and puzzle initial 'P'(re), in Demosthenes's letters., Letters and Orations (index Orationes), with prefaces

Vertical catchwords 1 large gold initial on a blue and red ground, with sprays of foliage in the margin. Large puzzle initials in red and blue. Small initials alternately plain red or blue. Litterae notabiliores with yellow wash. Guide-letters. Letters

• Decorated initial 'V'(ideo) with pen-flourishing in Cicero's In catilinam., Disputationes tusculanae (ff. 1-67v), Orationes in Catilinam (ff. 67v-85v)

and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1, 3v, 17v, 39v, 51, 67v, 72v, 77, 81v). Coloured initials in red or blue. Capitals marked in red. Disputationes tusculanae (ff. 1-67v),

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Illuminated border and Initial 'N'(octiam) with an unfinished drawing of a seated man (possibly Bede) writing at the desk holding a quill and a knife, and on the bar border, a quadruped (dragon?)., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

1). Large initials in gold, pink, and/or blue, some also with red, with gold balls, and/or with foliate, floral, or filigree decoration (one with heraldic arms, f. 21). Line fillers in pink and/or blue. Historia ecclesiastica (ff. 1-99), De muliere

• Decorated initial 'P'(rincipia), and plain red initial 'P'(aulus); the upper margin with an ownership inscription of Sir John Prise., Commentaria in Epistolas beati Pauli

ownership inscription of Sir John Prise. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas

• Coloured initial 'P'(aulus) and other plain red and green initials., Commentaria in Epistolas beati Pauli

green initials. 1 large initial in green, red, and blue with geometric decoration (f. 2). Large, small, and one-line initials in red or green, some decorated with foliate arabesques (e.g., ff. 101v, 111v). Commentaria in Epistolas beati Pauli Probably fom

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around the letter or in the bowl with simple patterns in other