• Detail of an historiated initial 'B' of a soul being lifted from the grave by two angels., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Historiated initial 'D'(omine) of the Annunciation, with floral borders with a peacock, owl, and a bear playing bagpipes, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an historiated initial 'D'(omine) of the Annunciation, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a peacock, from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of an owl from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Detail of a bear playing bagpipes from a floral border, at the beginning of Matins of the Virgin., Book of Hours, Use of Sarum ('The Hours of the Earls of Ormond')

51v, 64, 66, 124v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Book of Hours, Use of Sarum ('The Hours

• Miniature of the birth of Cyrus, at the beginning of book 4., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of the birth of Alexander, at the beginning of book 5., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of the death of Bertrand du Guesclin, at the siege of Randon, with a partial border, at the beginning of chapter 17 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of the joust between Nicholas Clifford and a Frenchman, with a partial border, at the beginning of chapter 8 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of king Richard II ordering the execution of a rebel, at the beginning of chapter 14 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Miniature of Pennon of St George hoisted at 'Ville Viciouse', with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 23 of book 2., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.

• Detail of a miniature of Vincent of Beauvais, a Dominican monk, sitting at a desk and writing his book, at the beginning of book 1., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Detail of a miniature showing cannon and mortar at siege of Pamplona., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.