• Text page., Travels of Sir John Mandeville

(f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).? Richard Tottyl, London, by 1579 (see below).Hugh

• Initial 'C'(arminis) with white vine decoration., Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus (ff. 82-113v); Priapea (ff. 113v-122v)

in colours and gold (ff. 1, 55v, 82, 113v). Smaller initials in gold on red and blue grounds. Small initials in plain red or blue. Elegiae (index Elegies) (ff. 1-55); Carmina (ff. 55v-81v); Catullus (ff. 82-113v); Priapea (ff. 113v-122v) Colophon

• Three-sided white vine border inhabited by two parakeets, and a hawk attacking a caterpillar, with a large white vine initial 'D'(ecimus) and the coat of arms Pedro Ferriz, bishop of Tarragona, supported by two putti., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• White vine initial 'S'(i) cui varias humanarum rerum' at the beginning of the twelfth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• Detail of a white vine initial 'S'(i) cui varias humanarum rerum' at the beginning of the twelfth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• Detail of white vine initial 'S(i) quidem in explicanda historia nil usque nobis' at the beginning of the thirteenth book., Historia, with capitula (f. 2)

by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto

• White vine initial 'M'(undum)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• White vine initial 'F'(requenter)., Letters and other texts

(ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence in 1467: colophon reads, 'Scripsit florentie hoc

• White vine initial 'O'(mnis) at the beginning of Sallust's Catilina., Various works including Catilina (ff. 1-34v), Jugurtha (ff. 35v-100), Letter 3 from Book 15 of Petrarch's Epistulae rerum senilium (ff. 104-113), Letter to Petrarch attributed to Leonardus Brunus Aretinus

in Rome or Naples. 2 large white vine initials in gold and colours (ff. 1, 35v). 2 smaller initials in blue ink (ff. 2v, 37v). Display script. Spaces for initials left blank. A few small initials in red ink. Various

• Three-sided white vine border in colours and gold, inhabited by birds, with the Medici coat of arms in the lower margin, supported by putti, and a white vine initial 'L'(ibros)., Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Detail of a folio: Incipit: 'ramento capitur cum cetera…' Explicit: 'quinquagenas libras lundens cumi', Historia naturalis (index Natural history)

309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the

• Detail of an historiated initial 'S'(urge) of the Adoration of the Magi, at the reading for Ephiphany., Epistolary of the Sainte-Chapelle, Use of Paris

or blue with pen-flourishing in blue (and red) or in red (and blue). Numerous flourished initials with a heraldic eagle in the centre. Small initials in gold or blue with penwork decoration in blue (and red) or red (and blue).

• Puzzle initial 'F'(ratres) with penwork extensions., Epistolary of the Sainte-Chapelle, Use of Paris

or blue with pen-flourishing in blue (and red) or in red (and blue). Numerous flourished initials with a heraldic eagle in the centre. Small initials in gold or blue with penwork decoration in blue (and red) or red (and blue).

• Partial border with floral and foliate decoration and a large decorated intial 'T'(ractatulus)., De quercu Julii pontificis sive de lapide philosophico

floral and foliate decoration and a large intial in gold on a blue ground (f. 1). Large initials in brown or blue. Rubrics in red. Paraphs in blue or brown. De quercu Julii pontificis sive de lapide philosophico Written in

• Illuminated initial on a text page., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Decorated initial 'D'(eo) with foliate decoration extending into the margins., Statuti di Venezia (Statutes of Venice)

Verona). Initial in blue and red ink with foliate decoration including acanthus leaves extending into the margins (f. 2). Numerous small initials in red or blue with flourishing in the other colour. Coloured initials in red or blue. Statuti di

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

lines) in gold on red and/or blue grounds, and full borders (ff. 1, 24, 39v). Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing. Débat de félicité The Débat