• Detail of miniature of Christ with the instruments of the Passion., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Full border with flowers, birds, portrait medallions, and the Medici ring device; the ring also occurs in the upper margin framing the Medici arms with an historiated initial 'N'(el) with a prostrate figure (Petrarch?), Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Partial floral border at the beginning of the first chapter of the Triumph of Love., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Full border with flowers, birds, portrait medallions, historiated initial 'Q'(uando), and a medallion of the Triumph of Chastity., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Full border with flowers, putti, deer, a medallion of the Triumph of Time, and the historiated initial 'D'(e)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Full border with flowers, putti, birds, portrait medallions, a medallion of the Triumph of Eternity, and the historiated initial 'D'(apo)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Miniature depicting the Lamentation of Christ., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Miniature of John the Evangelist, probably with damage by kissing., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Decorated initial 'S(alvu[m] me fac) with ribbon pattern at the beginning of Psalm 68., Psalter

in the same style. 11 gold initials on blue panels (ff. 178v, 180v, 184, 225v, 227, 238, 243, 257, 259v, 266v; green panel on f. 35). Numerous smaller gold initials on blue, red or pink panels. Line-fillers in the same

• Excision of the suffrage of Thomas Becket, in accordance with Henry VIII’s prescription of 1538: ‘the service, office, antiphones, collects, and prayers in his name shall not be read, but razed and put out of all the books.’, Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Text page with suffrage to Margaret. Decorated initial 'G'(aude) in gold and colours with foliate pattern., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Miniature with full foliate border depicting Margaret resurrected from the dragon's belly. God the Father blesses the saint (upper left)., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Miniature of the martyrdom of Thomas Becket, a rare survival in an English context because of Henry VIII's law that Thomas's 'images and pictures through the whole realm shall be put down and avoided out of all churches, chapels, and other places.’, Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in gold and blue. Book of Hours, Use of Sarum Unidentified late

• Decorated initial 'E'(go) with pen-flourishing at the beginning of the text. Both script and pen-flourishing show Italian influence., Epistulae ad familiares (index Epistolae ad familiares)

the pen-flourishing also shows Italian influence. Large initial in blue with reserved lines with red pen-flourishing, enclosing a blank coat of arms (f. 2). Large puzzle initials in red and blue (ff. 10, 23, 30v, 41, 61, 71, 80v, 83,

• Full border with flowers, birds, putti, portrait medallions, marginal vignette of the Triumph of Fame, and historiated initial 'N'(el)., Trionfi (index Triumphs) (ff. 11-52v); Rime (ff. 55-195)

41, 43v). Numerous small gold initials on blue, pink, and green grounds. Title in epigraphic capitals in blue and gold framed by the Medici device of a diamond ring (f. 10v). Alternating blue and gold lines of text for the

• Miniature of Catherine, decorated initial 'G'(aude), and full foliate borders, at the beginning of the suffrage to Catherine., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Executed for the English book-market. Book of

• Miniature of Christ carrying the Cross, decorated initial 'D'(eus), and full foliate borders, at the beginning of sext in the Hours of the Virigin, illustrated by a cycle with the Passion of Christ., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Executed for the English book-market. Book of

• Miniature of the Raising of Lazarus, decorated initial 'D'(ilexi), and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Small initials (2 lines) in gold on red and blue grounds. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Executed for the English book-market. Book of

• Miniature of Augustine praying at an altar and pagan idols falling, with a full border and an illuminated initial 'P'(our ce que)., De civitate Dei, books 1-10, in French translation (La cite de Dieu)

in gold on blue and rose grounds with penwork decoration in white, at the beginning of chapters. Initials in gold with black pen-flourishing, or in blue with red pen-flourishing throughout the text. Line-fillers in rose and blue. De civitate Dei,

• Miniature of Augustine teaching two clerks and a demon flying above, with a full border and an illuminated initial 'I'(I me semble)., De civitate Dei, books 1-10, in French translation (La cite de Dieu)

in gold on blue and rose grounds with penwork decoration in white, at the beginning of chapters. Initials in gold with black pen-flourishing, or in blue with red pen-flourishing throughout the text. Line-fillers in rose and blue. De civitate Dei,