• Pen-flourished initial 'B'(ritannia)., Chronicles of England to the reign of king Henry VI (r. 1422-1461 and again from 1470-1471) (Chronicon Angliae)

reused parchment flyleaf bound upside down. Partial bar border in red and blue with a large initial in blue with red pen-flourishing (f. 1). Large initials in blue with red pen-flourishing. Paraphs in red. Chronicles of England to the reign

• Decorated initial with pen-flourishing., Various texts including Chronica pontificum et imperatorum (ff. 8-47v), Querimonia Frederici (ff. 48-119v), 'Ordinacio concilij lugdunum' (ff. 120-5), beginning imperfectly

~Catalogue~ 1808. Large initial in blue with reserved lines and pen-flourishing in red including a hybrid creature (f. 8). Initials in blue or red with pen-flourishing in the other colour. Paraphs in red or blue. Various texts including Chronica pontificum

• Three-sided border with a large initial 'E'(ssendo) and an unidentified coat of arms in the lower margin., Forms for letters on various subjects

wreath (f. 2). 10 small plain initials in blue with red penwork decoration or pen-flourishing (ff. 25v, 27v, 28, 29, 44, 46, 47, 49, 50, 52v). Small plain initials in red or blue. Rubrics and marginal notations in red. Capitals

• Miniature of the death of Philippe VI, with a partial border containing the arms of John Donne, at the beginning of the list of contents., Chroniques (books 3-4)

on blue and rose ground with penwork decoration in white, at the beginning of books 3 and 4 (ff. 9, 154v), with a partial border, at the beginning of book 3 (f. 9). Initials and paraphs in gold on blue

• Detail of a miniature of the death of Philippe VI, at the beginning of the list of contents., Chroniques (books 3-4)

on blue and rose ground with penwork decoration in white, at the beginning of books 3 and 4 (ff. 9, 154v), with a partial border, at the beginning of book 3 (f. 9). Initials and paraphs in gold on blue

• The left-hand page has a drawing in the form of a hand holding a placard bearing the catchword; the right-hand page has a foliate initial 'P'(rima) at the beginning of Horace's Epistles., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

beginning of Horace's Epistles. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal drawing of a seated old man holding a round red object in his left hand, adjacent to Horace's account of the Seven Ages of Man., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Seven Ages of Man. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Illuminated initial 'Q'(ui), and full foliate border with putti holding heraldic arms, at the beginning of Ludovicus Lazarelli's Liber de apparatu Patavini Astiludii., Liber de apparatu Patavini Astiludii ad reverendum dominum D. Iohannem Chetvorth de Britannia, a description of the festivities organised by John Chedworth as rector of the Jurists at the University of Padua in 1467-68

(f. 1). Small initials (2 lines) in gold on coloured grounds, green and blue,blue and red, or green and red. Small initials (1 line) in plain blue. Paraph marks in plain red. Liber de apparatu Patavini Astiludii ad reverendum

• Decorated initial 'H'(umano)at the beginning of Horace's Ars poetica., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

of Horace's Ars poetica. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Marginal marks similar to notaries' marks on a former flyleaf., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

on a former flyleaf. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• Detail of decorated initial., Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

Detail of decorated initial. 3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v,

• null, Ars poetica (ff. 1-9), Epistolae (ff. 9-35), with marginal and interlinear glosses

3 large foliate initials in blue, red, and green (ff. 1, 9, 26v). Initials for the lesser divisions are red with blue flourishing, or vice versa. Blue or red paraphs. Contemporary(?) marginal drawings (e.g. ff. 3v, 17v, 19, 21, 26v)

• Illuminated initial 'I'(lle) with white vine decoration of the Ille ego opening of the Aeneid, and in the lower margin, effaced arms within a green wreath., Aeneis (index Aeneid), with the Ille ego opening; Bucolica (index Bucolics, Eclogues), book I, imperfect (ff. 165-178v); Georgica (index Georgics)(ff. 179-214v); verses on the 12 books of Aeneis (f. 216v)

of red, green, and blue, with gold and gold balls (f. 1). Large initials in gold with white vine decoration in colours at the beginning of books. Large initials in gold on coloured grounds, usually of blue, green, and red,

• Decorated table of contents; Inhabited initial 'I'(nvestigatam), and a partial border including medaillons, and heraldic arms supported by putti in the lower margin, at the beginning of Boethius's De Sancta Trinitate., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Decorated initial 'M'(aiores), at the beginning of Boethius's super Cicero's Topica., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated title page., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial and border., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of Medici arms., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• Detail of illuminated initial., Opera omnia

132v, 142, 158). 1 small decorated initial in gold on a ground in red, blue and green (f. 2). Numerous diagrams. Small initials in plain blue, for minor divisions. Vol. 2: 10 large and smaller decorated foliate initials, in colours

• null, Book of Hours, Use of Clermont

and blue and gold acanthus leaf scrolls. Additional large red initial with flowers on a gold ground for the Te Deum with a partial border (f. 20v). Small gold initials on red and blue grounds. Line fillers in red, blue