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in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.
in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.
in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.
in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.
in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.
214, 222). Initials in gold on blue and rose grounds with penwork decoration in white, with partial borders or decoration between columns (ff. 1-6v). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Spaces left
on four-line red staves. 2 large historiated initials in black ink (ff. 76v, 77v). Large letters and initials in red, blue, yellow or green. Another smaller fragment of this manuscript is Sloane 1086, f. 100 (Deut. 34:1-5 and part of
supported by a red dragon and a white hound, in the lower margin, and alternately a portcullis badge on a blue ground semé of 'S', and a Tudor rose. Sixth of six volumes (Royal 20 E I-VI).Catchwords; guide letters for
the prologue (f. 1). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in blue, gold or in gold and blue. Decameron (Les cent nouvelles) Edward IV (b. 1442, d. 1483), king of England
red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some
an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or