• Decorated initial 'D'(omine) with border including strawberries., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Nativity, at the beginning of Prime in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Adoration of the Magi, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Presentation, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Flight into Egyp, at the beginning of Vespers in the Hours of the Virgint., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of the Coronation of the Virgin, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Detail of miniature of David penitent, at the beginning of the Penitential Psalms., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Decorated initial 'D'(omine) with a marginal bird., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Decorated initial 'D'(omine) with a flower., Book of Hours, Use of Tournai

and gold, for the suffrage to Peter and Paul (f. 22). Small initials (1-2 lines) in gold on red and blue grounds. Book of Hours, Use of Tournai Made for use in Tournai and presumably still in the diocese when

• Miniature of two knights fighting at a tournament in front of ladies., Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et des chevaliers du Franc Palais), imperfect

beginning of some chapters (ff. 54v, 105, 129v, 144, 166, 216v, 244, 276v, 305, 318v, 348v). Initials in gold on blue and rose grounds with penwork decoration in white. Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et

• Miniature of David in prayer, decorated initial 'D'(omine) and historiated border with music making angels and men, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

in colours and gold. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome The Harley Collection, formed by Robert Harley

• Evangelist portrait of Mark, with his symbol, the lion, above., Four Gospels, with list of lections (ff. 168v-177)

59, 60v, 61; 87, 88v, 89; 133, 134v, 135). Large foliate initials in gold on grounds of red, green, and blue, some also in further borders. Initials in gold (chrysography). Incipits and explicits in gold, some in coloured frames. Running

• Detail of a miniature of a knight on a horse receiving a ring from one of two ladies for his victory in a tournament., Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et des chevaliers du Franc Palais), imperfect

beginning of some chapters (ff. 54v, 105, 129v, 144, 166, 216v, 244, 276v, 305, 318v, 348v). Initials in gold on blue and rose grounds with penwork decoration in white. Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et

• Detail of a miniature of four knights on horseback sent by Britus reaching a castle., Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et des chevaliers du Franc Palais)

152, 216, 275), including 1 with a partially trimmed instruction in the lower margin (f. 216). Initials in gold on blue and rose grounds with penwork decoration in white. Perceforest (Anciennes croniques Dangleterre, faictz et gestes du roy Perceforest, et

• Miniature of the Annunciation; in the right margin, the Presentation of the Virgin in the temple; in the lower margin, the marriage of Joseph and Mary, each set within an architectural frame, at the beginning of Matins in the Hours of the Virgin., Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• Miniature of the Presentation of Christ in the temple; to the right, a horned Moses holding the tablets of the law; in the lower margin, Mary holding the infant Christ and walking with Joseph; all set within an architectural frame, at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• Miniature of clerics reading; in the left margin, a skeletal figure holding a shovel; in the lower margin, Job on the dungheap, all set within an architectural frame, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

144v, 145, 145v, 146 x 2). Large decorated foliate initials, in colours and gold. Small initials in gold on brown, blue or red grounds. Line-fillers in colours and gold. Book of Hours, Use of Paris Unidentified owner(s): erased inscriptions (f.

• Illuminated initial 'T'(anta) with foliate decoration, at the beginning of the prefatory letter to De re militari, and the arms of Agostino Barbarigo, Doge of Venice, in the lower margin., De re militari, with prefatory letter

Publications Society, 1968), no. 2565 (dated 1483 to Venice), but without the circle below the cross. 2 large initials, 1 blue, and 1 red, each on a gold ground with foliate decoration around the letter (ff. 2, 3v); the arms

• Gold-stamped and blind-tooled late fifteenth-century Venetian binding., De re militari, with prefatory letter

Publications Society, 1968), no. 2565 (dated 1483 to Venice), but without the circle below the cross. 2 large initials, 1 blue, and 1 red, each on a gold ground with foliate decoration around the letter (ff. 2, 3v); the arms