• Page of music on the verso of the folio., Leaf from a Gradual

initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with red pen-flourishing or in red with blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from

• Decorated initial 'D'(ieu) at the beginning of the text., Livre de physique (Régime du corps)

at the beginning of the text (f. 1v). Large, decorated initials in red or blue, at the beginning of the chapters. Small initials in red or blue. Livre de physique (Régime du corps) Jean Chabot (d. 1496), lord of Emæl

• Miniature of Jean Chabot presenting the book to Henry VII., Livre de physique (Régime du corps)

at the beginning of the text (f. 1v). Large, decorated initials in red or blue, at the beginning of the chapters. Small initials in red or blue. Livre de physique (Régime du corps) Jean Chabot (d. 1496), lord of Emæl

• Partial illuminated foliate border and large initial 'V'(icit) at the beginning of Bernard of Clairvaux's sermon In die sancto pasche, with foliage decoration in the bowl of the letter, and the inscription 'Celestinorum Ambianensium' of the Celestines of Amiens in the lower border., Various sermons (labelled as those from Easter to Advent), with a table of contents

in the lower border. Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters

• Stylised puzzle initial 'I'(n) at the beginning of Bernard of Clairvaux's sermon for the vigil of saints Peter and Paul., Various sermons (labelled as those from Easter to Advent), with a table of contents

saints Peter and Paul. Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters

• null, Various sermons (labelled as those from Easter to Advent), with a table of contents

Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters at the beginning of

• null, Various sermons (labelled as those from Easter to Advent), with a table of contents

Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters at the beginning of

• null, Various sermons (labelled as those from Easter to Advent), with a table of contents

Partial foliate border and large blue initial on gold background with foliage decoration in the bowl of the letter (f. 1). Large and small red and blue puzzle initials. Light yellow highlights to the capital letters at the beginning of

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with red pen-flourishing or in red with blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with red pen-flourishing or in red with blue pen-flourishing. Small penwork initials in brown and red ink. 4 line red staves. Leaf from

• Miniature of the Annunciation and decorated initial 'D'(omine), at the beginning of the Hours of the Virgin., Book of Hours, Use of Toul

of the calendar in blue on gold grounds (f. 3). A few small initials (1-2 lines) in red with brown pen-flourishing or in blue with red pen-flourishing. Small initials (1-2 lines) in plain red or blue. Capital letters highlighted in

• Miniatures of the Arms of the Passion facing the beginning of the Hours of the Cross., Book of Hours, Use of Toul

of the calendar in blue on gold grounds (f. 3). A few small initials (1-2 lines) in red with brown pen-flourishing or in blue with red pen-flourishing. Small initials (1-2 lines) in plain red or blue. Capital letters highlighted in

• Large illuminated initial, with later ownership inscriptions in the lower margin., Decretals, an anonymous collection, the latest being attributed to Pope Lucius III (1181-1185), with marginal gloss

with foliate decoration (f. 1). Small initials in red with blue and/or red penwork decoration, or in blue with red and/or blue penwork decoration. Small initials in red or blue. Decretals, an anonymous collection, the latest being attributed to Pope

• Illuminated initial 'P'(hilippus), and full border including harpies, a bust, serpents and flowers, at the beginning of the Statutes of the Order of the Golden Fleece., Statutes of the Order of the Golden Fleece

and a full border with all'antica ornament, in colours and gold (f. 4). Small initials in gold on red or blue grounds. Statutes of the Order of the Golden Fleece Written not earlier than 1531: the appendix (f. 32r-v) ends

• Miniature of David in Prayer, and a full trompe l'oeil border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

2 lines) in gold on red and blue grounds, with sprays and flowers. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Book of Hours, Use of

• Miniature of David in Prayer, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

2 lines) in gold on red and blue grounds, with sprays and flowers. Small initials (1 line) in gold with blue pen-flourishing or in blue with red pen-flourishing. Line-fillers decorated in red, blue and gold. Book of Hours, Use of

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

the Rosary (f. 2v). 1 large decorated initial, in red and blue (f. 29). Small initials in plain red or blue. 1 headpiece with roses, in red and blue (f. 29v). Psalter and Rosary of the Virgin (from f. 27),