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and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown
and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown
initial in red with blue penwork decoration (f. 1). Partial border in orange and purple ink with 1 large initial in red with orange and purple penwork decoration (f. 1v). 1 large initial in red with blue penwork decoration and
style. Other small initials in gold on blue and red panels. Capitals in red identify the speakers in the dialogues (e.g. Socrates and Alcibiades). Rubrics, headings, and marginal notes in red and blue. Opera Ferdinand I of Aragon, king of
lines) in blue with red pen-flourishing (ff. 5, 27v, 36v). 1 large puzzle initial (3 lines) in red and blue with red penwork decoration (f. 46). Small initials in red, some with blue penwork decoration, or in blue, some with
1). 1 puzzle initial 'D'(e) in red, blue and green (f. 51v). Initials in blue or green with red pen-flourishing, or in red with blue pen-flourishing. Smaller plain initials in red or blue. Letters (dictiones and carmina) of Ennodius, beginning,
the contents, see the Harley Catalogue. Large puzzle initials in red and blue. Large initials in blue. Smaller initials in red or blue. Rubrics in red. Paraphs in blue. Capitals marked in red. Obituaries for priors and bishops of Durham
at the beginning of the text (f. 1v). Large, decorated initials in red or blue, at the beginning of the chapters. Small initials in red or blue. Livre de physique (Régime du corps) Jean Chabot (d. 1496), lord of Emæl
at the beginning of the text (f. 1v). Large, decorated initials in red or blue, at the beginning of the chapters. Small initials in red or blue. Livre de physique (Régime du corps) Jean Chabot (d. 1496), lord of Emæl
ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink
ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink
ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink
and a volvelle with three moving parts (f. 22). Small initials in red or blue. Paraphs in blue. Highlighting of letters in yellow. Rubrics in purple, blue, or red. Cadels. Medical miscellany, including an astronomical calendar Probably made in London
and a volvelle with three moving parts (f. 22). Small initials in red or blue. Paraphs in blue. Highlighting of letters in yellow. Rubrics in purple, blue, or red. Cadels. Medical miscellany, including an astronomical calendar Probably made in London
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
Conception of the Virgin (f. 2). 'Champ' initials in gold on rose and blue grounds with penwork decoration in white, and smaller initials in gold on blue or red grounds. Proper of the Mass for the Immaculate Conception Henry VII
f. [161] with later annotations (see Provenance). Large puzzle initial in red and blue with pen-flourishing in red including foliate motifs (f. 145v). Smaller initials in blue with red pen-flourishing including foliate motifs. Capitals marked in red. Homilies on Matthew
colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine
colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine