• Calendar page for April, with coloured letters., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

red. Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter') The cathedral church of St Peter, Exeter: evidence of the script and litany; perhaps made for Leofric, bishop (1046-1072) and given by

• Text page with coloured initials., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

red. Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter') The cathedral church of St Peter, Exeter: evidence of the script and litany; perhaps made for Leofric, bishop (1046-1072) and given by

• Coloured initial and rubric in display capitals., End of 'Contra mendacium' followed by the beginning of 'De cura pro mortuis gerenda', cropped leaf

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initial 'R'(everentissimis)., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Text page with inventory of relics at Exeter: 'These are the names of the holy saints, which are in the monastery of St Peter and St Mary, Exeter . . .'. The list begins with relics of Christ's blood, his cross, tomb, and clothing. The list also enumerates a part of St Peter's beard and St Andrew's walking-stick., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Initial with foliate decoration., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Initial 'I'(am) with man and a dragon enmeshed in foliage., De laudibus virginitatis, with Old English and Latin glosses

brown. Rubrics in capitals and chapter numbers in red. De laudibus virginitatis, with Old English and Latin glosses The cathedral church of St Peter, Exeter: contains a list of relics in a 12th- century hand on two sheets of vellum

• Historiated initial 'D'(ixit) with a bust of Christ in a star, at the beginning of Psalm 109., Psalter, including material for determining hours of daylight, a calendar, Canticles and hymns, and creed (ff. 139v-141v), litany and prayers

creed (ff. 139v-141v), litany and prayers The hospital of St Giles, Norwich: the calendar includes the dedication of the parish church of Norwich and the obit of Hugh Actor of the hospital (d. 1464).The Derham and Crimplesham (Crumpilsham) families: added

• Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

dedicated the work. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles

• Interlace initials 'D'([omi]no' and 'M'(ulta) at the beginning of Bede's prologue to his verse Life of Cuthbert, addressing a priest named John, who was setting out on a pilgrimage to Rome., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

or Old English. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime and

• Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for 'psalm' or 'responsory') are written in red. Above each line, the music is written in Breton neumes., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in Breton neumes. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Text page., Bifolium from Aelfric's 'Grammar', cropped

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.