• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a decorated initial 'H'(ic est), with an instruction for display script., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Diagram of the habitable and uninhabitable zones of the world., De temporum ratione; a collection of short verse and prose texts including Liber monstrorum

ratione; a collection of short verse and prose texts including Liber monstrorum Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Historiated initial 'S' (anctificavit) of a bishop dedicating a church., Prayers for saints' vigils with a calendar

of a bishop dedicating a church. Horizontal catchwords.Miniature curtains, likely of silk, once protected the full-page minitures. These are no longer extant, but the holes and thread, by means of which these were attached, are still visible. 6 full-page miniatures

• Puzzle initial 'Q'(uod) and pen-flourished initial 'D'(e)., Compendium of theological truths in seven books with an alphabetical index (ff. 128-135v) (index Compendium theologiae veritatis)

church of the Holy Cross, Crediton, Devon, 14th century (see Wright 1972).William Mugg, 16th century: his 'ex libris' and an ownership inscription recording his gift of the manuscript to Gerorge Mason (f. 1).George Mason, last dean of the Collegiate

• Decorated initials 'KL' with pen-flourishing for the month of May in the calendar., Register of St Mary's of Crich

with red pen-flourishing (ff. 6-11v). Register of St Mary's of Crich ?Made at and for the use of St Mary's Church of Crich (Derbyshire).Numerous added inscriptions and texts including accounts, rentals, a recipe (f. 104), 14th-16th century (ff. 1v, 5v,

• Full-page architectural border in colours and gold with a large historiated initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples., Sermons (index Homiliae)

initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples. Vertical catchwords.Ruled in hardpoint.Covers of a previous red leather Harleian binding are pasted inside the present

• Historiated initial 'D'(ixit) with the Annunciation to the Shepherds, at the beginning of Psalm 52., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Decorated initials, and line-endings in the form of animals and hybrids at the beginning of a litany., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church., Grande Chronique de Normandie

Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church. The clothing suggest a date somewhere around 1465. 15 half-page miniatures, the first