13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,
13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,
13th century (ff. 1, 2, 175).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'D[istinctio] xvi Gra[dus] iiii (f. 3); listed in Henry of Eastry's catalogue of Christ Church library, of 1337-38 as 'Textus iv evangeliorum anglice' (See Ker,
Detail of a bas-de-page scene of a bishop approaching a church, while the Virgin Mary leads a woman away behind the church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with
Church of Hereford has been added at the end (ff. 258v-262): it is therefore possible that Thomas Trilleck was related to John de Trilleck, bishop of Hereford (1344-1360).William Reed, bishop of Chichester (1369-1385), given by him to the Collegiate
from Job to Revelation. The first volume is Royal 1 E VII. The text corrected or emended by a Christ Church scribe; other manuscripts attributed to him are: Cambridge, Trinity College, B. 1.17 and B. 3.9 (see Marsden 1994 and
century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer
Paul continued up to the time of the emperor Justinian, who died in 565.The text is close to Cambridge, Christ Church College 276 and British Library, Royal 15 C. vi and may have been the exemplar for the latter manuscript.
on 20 April the dedication of the abbey church of the Virgin Mary, Buckland ('Boclond'), Devon. Musical notation, the second a late 15th-century addition (ff. 1-3, 110r-110v). 'KL' letters in gold on blue grounds with white filigree and gold balls
imperfect at the end Probably the cathedral church of St Ethelbert, Hereford as suggested by Humphrey Wanley's note on f. 1*v (see Frere and Brown 1915; Ker 1964).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold
imperfect at the end Probably the cathedral church of St Ethelbert, Hereford as suggested by Humphrey Wanley's note on f. 1*v (see Frere and Brown 1915; Ker 1964).John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold
of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian Church were established at the synod of Bergen in 1164 after the election of King Magnus: this fragment relates to
of fragments of different date and origin bound at the beginning of the 16th-century swan-mark collection.The statutes of the Norwegian Church were established at the synod of Bergen in 1164 after the election of King Magnus: this fragment relates to
of the church mass for the coronation of Claude de France, and decorated initial 'P'(uis), in Le Sacre de Claude de France. On Jean Coene IV see gnerally Eberhard König, ~Boccaccio und Petrarca in Paris~, Leuchtendes Mittelalter Neue Folge, (Passau:
century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral
penwork decoration in colours. Small initials and rubrics in red. Epistolae, Opera; Moralis Philosophia; Dialogue against the Jews The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 154 in Patrick Young's 1622 catalogue of the cathedral