(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former: in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
at the end Henry Jefferey: inscribed in the 17th century, 'Hennrye Jefferey xxx^s^' (f. 1).John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other
Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire, founded c.1122 (12th century or 13th century inscription 'Liber Sancte Trinitatis de Kirkham', f. 1; added letter
Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire, founded c.1122 (12th century or 13th century inscription 'Liber Sancte Trinitatis de Kirkham', f. 1; added letter
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
Kyneburga, Kyneswitha, Tibba, and Sexburga; the petitions are the same as in other Peterborough manuscriptsAll parts:The ownership(?) inscription of a church is mostly torn away (f. 3, lower margin).Numerous obits of laymen and women are added to the calendar.? A
Kyneburga, Kyneswitha, Tibba, and Sexburga; the petitions are the same as in other Peterborough manuscriptsAll parts:The ownership(?) inscription of a church is mostly torn away (f. 3, lower margin).Numerous obits of laymen and women are added to the calendar.? A
introducing a list of 'relics which are kept in the church of St. Mary, Reading'. The first group relate to Christ (pieces of the Holy Cross and various items he had touched), the next group to the Virgin Mary, the
the books which are kept in Reading church'. The charters show that the original compilation was done early in the reign of Richard 1 (1190-1199), although the booklist may have been copied between c. 1180 and c. 1191, based on
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
a roof beam for his church in the waves of the ocean, from Chapter 21 of Bede's prose Life of St Cuthbert. This manuscript was formerly Additional 39943.f. 20 should follow f. 21.A duplicate copy of the volume, but with
a bishop celebrating mass inside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added
of a bishop by a church, along with the Virgin Mary and an angel. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous
Mary and an angel leading a monk into church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
abbot and three monks in a church, with a foliate initial 'Q'(uidam), at the beginning of causa 16. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and Giessen, Universitatsbibliothek 945, Justinian's Codex in French,
an altar, illustrating the clerics asking permission to leave their church or canon community and move to a monastery, at the beginning of causa 19. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and