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overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes
overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes
2 E IV which is of a probable Christ Church, Canterbury origin.Numerous pointing hands and human heads.Catchwords and instructions for running titles. 13 large puzzle initials in red and blue with foliate decoration in green, yellow, red, and brown, at
a hand very close to Royal 2 E IV which is of a probable Christ Church, Canterbury origin.Numerous pointing hands and human heads.Catchwords and instructions for running titles. 13 large puzzle initials in red and blue with foliate decoration in
the prologues to Joel. In a hand very close to Royal 2 E IV which is of a probable Christ Church, Canterbury origin.Numerous pointing hands and human heads.Catchwords and instructions for running titles. 13 large puzzle initials in red and
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
capitula to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus Christi College 274 (ff. i-48).Part 3 includes 'De muliere
to Enchiridion (ff. i-iiv). According to the unpublished notes of Michael Gullick, written in the Christ Church script, probably by the scribe of Cambridge University Library, Kk.1.17 and Cambridge, Corpus Christi College 274 (ff. i-48).Part 3 includes 'De muliere Chananaea'
the other colour. Display script in alternating blue and red. Commentary on the Psalms (51-100) Perhaps belonged to the parish church of Laxton, Nottinghamshire: inscribed 'Liber iste liber est ecclesie de Lexyngtona et qui eum alienaverit anathema sit' in a
ends 'Say we so alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands,
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
at the windows, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and men. In two volumes, the second volume is Royal 17 F VII.Includes a list of contents (ff. 1-21v).Catchwords written
woman at the centre window, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and one man, on the right and a crowd of attacking Jews on the left; with a full
the other colour. Display script in alternating blue and red. Commentary on the Psalms (51-100) Perhaps belonged to the parish church of Laxton, Nottinghamshire: inscribed 'Liber iste liber est ecclesie de Lexyngtona et qui eum alienaverit anathema sit' in a
the other colour. Display script in alternating blue and red. Commentary on the Psalms (51-100) Perhaps belonged to the parish church of Laxton, Nottinghamshire: inscribed 'Liber iste liber est ecclesie de Lexyngtona et qui eum alienaverit anathema sit' in a
alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against