• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• Front cover., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Calendar for October with drawings of a man sowing (labour of the month), symbols of saints: a bishop's mitre (for Leger), a hand with stigmata ( Francis), joined hands (Fides), a church (Dionysus), an archbishop (Wilfrid)., Agricultural almanac containing an astronomical calendar (1420), miscellaneous tables, mnemonic verses and charms

saints: a bishop's mitre (for Leger), a hand with stigmata ( Francis), joined hands (Fides), a church (Dionysus), an archbishop (Wilfrid). Contents very similar to Harley 2332.Prologue to a letter from St Louis to King Charles in Middle English (f.

• Puzzle initial 'B'(eatus) at the beginning of a metrical version of the Psalms in Middle English., The Psalms in English verse (the Surtees Society version), with parallel Latin, and Latin prayers

English verse (the Surtees Society version), with parallel Latin, and Latin prayers The Augustinian priory of Holy Trinity or Christ Church, Kirkham, Yorkshire: 14th-century ? inscription 'Liber monasterii de Kirkham' (f. 2v).15th-century ? inscriptions 'Johes Vicaricui Hutton' and Thomas leue'

• Miniatures of September, with a man threshing, and October, with a man sowing., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Miniatures of July with a man with a scythe, and August with a number of people with scythes., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Miniatures of November, with a man killing a cow or deer, and December, with a king seated on a throne., Folding almanac, with prognostications, etc., imperfect, beginning with July

Folding almanac, with prognostications, etc., imperfect, beginning with July Norwich: In the calendar for September is a representation of a church over which is written 'dedicacio Norwyc[ensis ecelesiæ]' in red, Edmund is also in red.Bought by the British Museum in

• Calendar page for December., Breviary, Ambrosian use

son of the late Messer Antonio degli Uberti of Margno in Valsasina, for 22 years a beneficed priest of the church of Santa Maria at Valtorta, and 'healthy in body though because of human frailty now deficient in natural heat,

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Detail of a miniature of the Trinity., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of

• Detail of historiated initial., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

Line-fillers in gold, red, and blue. Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers The church of St Lawrence in London, given in 1446 by William Melreth, alderman, textile merchant of Broad Street, member of