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British Library Catalogue of Illuminated Manuscripts
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes
overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes
alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and
pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and