• Puzzle initial and flourished initials, at the beginning of the Cartulary., Cartulary of the collegiate church of Edington in Wiltshire, containing charters relating to Romsey abbey in Hampshire

Smaller initials in blue with red foliate pen-flourishing. Cartulary of the collegiate church of Edington in Wiltshire, containing charters relating to Romsey abbey in Hampshire The collegiate church of Edington in Wiltshire.William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd

• Illuminated initials and border at the beginning of the Mass for Trinity Sunday (the first Sunday after Pentecost, which itself occurs on the 50th day after Easter)., Missal, use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end

use of Sarum, with a Calendar (ff. 1-6v), imperfect at the end The parish church of Colwich, Staffordshire: the calendar includes the dedication of the church on 29 May (f. 3; see Legg 1904).? Thomas Parker (d. 1423 ?), prebendary

• Decorated initials with pen-flourishing at the beginning of the text, the first with a dragon., The Brut Chronicle, in French

cathedral priory of Christ Church in Canterbury, Kent: inscribed 'Brut en ffranceys: liber eccl[es]ie [christ]i Cantuarie', in two 15th-century hands (f. 1*v), no. 281 in W. Ingram's 1508 list of books from Christ Church, Canterbury (Christ Church Library, ms. 27;

• Initial with penwork decoration., St David's Register and Statute Book, including copies of episcopal, royal and papal documents and grants, imperfect

David's 1509-1522 (see Harper 2007).The Catholic church of St David's, co. Pembroke (see Wright 1972).Inscribed in 1588 by Thomas Huett, Richard Edwards and Thomas Lloyd (f. 3v).Thomas Baker (b. 1656, d. 1740), nonjuring Church of England clergyman and antiquary: his

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Illuminated initial 'F'(ama) with an animal head, and a snake with a human ? head., Liber de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary

de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and