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147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the
147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the
147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the
fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);
fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);
fideliter / et indilate. Scr[i]pt[um] manu mea p[ro]pria anno d[omi]ni mill[esi]mo cccc xxii mems[is] februarii die/ sexto' (f. 1v).The cathedral church of St. Mary, Lincoln: included in the 15th-century catalogue of the cathedral library (see Maddison 1896, and Wooley 1927);
f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems
f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems
f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems
Detail of a table of signs and images used in the text to mark some of the subjects treated in the text, with explanations of their meanings. Includes 3 works of Ralph de Diceto (d. 1199/1200), chronicler and ecclesiastic,
Middlemore (f. 192).'Thomas Poynes' (f. 192v).'Walter Standen' (f. 192).'Thomas Thornton' (f. 193).'Robert Wakeley' (f. 193).John Batteley (bap. 1646, d. 1708), Church of England clergyman and antiquary: his collection sold to Harley on 5 November 1723 (see Wright, 1966).The Harley Collection,
Puzzle initial 'L'(a purveiance) with pen-flourishing forming a three-sided border including foliate motifs and a dragon, at the beginning of the prologue to the Livre de Sydrac. f. 1* is a parchment fragment, probably from a 14th-century charter, written
or 16th century: inscribed with his name (ff. 108v, 120v, 129v).George Hickes (b. 1642, d. 1715), bishop of the nonjuring Church of England and antiquary: faint pencil inscription (f. 1). The Harley Collection, formed by Robert Harley (b. 1661, d.
in red with dark blue pen-flourishing (almost black), and line-fillers in red and blue. John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: these three manuscripts were sold as a separate volumes to Edward Harley with the
with a bishop in a church with the scroll text 'Per omnia secula seculorum'. Musical notation on four-line staves.ff. 1-2 are paper flyleaves; f. 249v is a paper leaf pasted onto a parchment leaf.According to Scott, made in two campaigns
(ff. 126-135v), Jerome, 'De essentia Dei', entitled here 'Tractatus de membris domini' (ff. 135v-140), Alexander of Canterbury, monk of Christ Church, 'Liber ex dictis beati Anselmi', entitled here 'Libellus beati Anselmi…de quatuordecim partibus beatitudinum' (ff. 140-147), Hugh of St Victor,
king David at prie-dieu, with harp and church in background, at the beginning of Psalm 1. Includes the Gospel of Nicodemus entitled 'Tractatus passionis Christi secundum Nichodemum' (ff. 282-286v), the Interpretation of Hebrew names (ff. 323-337v), and capitula of the
in red, and display script in colours. Rubrics in red. Psalter, with litany and additional prayers and canticles ?The cathedral church of Augsburg [see Wright 1972].Added 12th-century prayers (with later initials?) to St. Francis and St. Anthony Confessoris (f. 1v).Added