St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
beginning of an ownership and anathema inscription (which finishes on the facing page), stating that the manuscript belongs to the church of St Mary's, Southwick. Sketch of a human figure (recto of first medieval parchment flyleaf). Sketches of heraldic arms
with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents. Catchwords, some in decorated
pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey church of Sainte-Genevieve, at the southern edge of medieval Paris, as indicated by the calendar (Genevieve on 3 January, 28
pen-flourishing. Line fillers decorated in gold and blue. Breviary, Use of Ste Genevieve, Paris Made for use in the abbey church of Sainte-Genevieve, at the southern edge of medieval Paris, as indicated by the calendar (Genevieve on 3 January, 28
(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former: in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed
the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to John. A bond by Jean, Bastard d'Orléans, Comte