• Decorated initials 'IN' with 'I' forming interlace pattern border at the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with a sketch of a man's head in profile in the margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• A frame with five roundels and interlace panels, probably intended for a 'Christ in Majesty' miniature., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Text page with manumissions in Old English and Latin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the

• Miniature of Dante and Virgil in the area devoted to the punishment of robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV., Divina Commedia (index Divine Comedy)

robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of

• Miniature of Dante and Virgil witnessing Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV., Divina Commedia (index Divine Comedy)

Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV. Pope-Hennessy

• Miniature of Dante and Beatrice in the sphere of the sun being greeted by Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius., Divina Commedia (index Divine Comedy)

Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and

• Miniature of Dante and Beatrice, on the left, and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII)., Divina Commedia (index Divine Comedy)

on the right, hovering over the Twelve Doctors of the Church (Paradiso XII). Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Miniature of the Three Holy Women at the Tomb., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Detail of a miniature of the Ascension, with two angels standing below with the Apostles and Mary, who gesture upwards towards Christ., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Decorated initial 'H'(unc) with the John Beaver's initials, 'IB', in gold, at the start of the inscription, stating that Lord John Beaver, monk of St. Albans, had the manuscript made, and that with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents. Catchwords, some in decorated

• Historiated initial 'D'(ominus) at the beginning of Psalm 26, with the Anointing of David by Samuel., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'Q'(uem) with an animal drinking and decorated line-fillers in the form of heads and a bird., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Historiated initial 'Q'(uid) with David and Goliath, at the beginning of Psalm 51., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Illuminated initial 'D'(ixit) with white lions, at the beginning of Psalm 52., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Historiated initial 'S'(alvum) at the beginning of Psalm 68, with Christ blessing and a man below with two demons., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Historiated initial 'C'(onfitebor) with a monk writing., Psalter, with a calendar (ff. 1-6v), Psalms, imperfect (ff. 7-190v), and Canticles, hymns and prayers

'Edwardus' (f. 98). Inscribed, 17th-century ? 'Edwardus Rudde', 'Edmundus Riddall', 'Ambrose Cotterell' (f. [ii verso].John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John

• Decorated initial 'C', in gold on a purple background., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Decorated initial 'D', in gold on a purple background., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and

• Decorated initial 'C' and other lettering in gold., Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7)

gold or red, some with gold highlights. Chrysography. Sacramentary (the 'Augsburg Sacramentary') with calendar (ff. 1v-7) Made for the cathedral church of St. Ulrich and Afra in Augsburg: the calendar includes the feast of the dedication on 28 September, and