• Detail of a miniature of Dante and Beatrice, on the left, and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII)., Divina Commedia (index Divine Comedy)

and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII). Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years.

• Initial 'L'(yfe thow) with pen-flourishing with a drawing of twin dragons with the sun and moon. The dragons and text were reproduced by Elias Ashmole (b. 1617, d. 1692), on page 212 of his ~Theatrum chemicum britannicum~, which is noted at the top of the folio., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Astrological drawing of the sun, moon, and Zodiac constellations., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Detail of a miniature of Christ in the Garden of Gethsemane with foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Decorated initials 'KL' with pen-flourishing at the beginning of the month of July in the calendar., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems

• Excised decorated initial combined with a full foliate bar border., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems

• Champ initials and decorated catchword written within the body of a hybrid creature., Missal, Use of Sarum, imperfect

f. 179v). Half-erased creature in brown ink in the lower margin (f. 63). Missal, Use of Sarum, imperfect The parish church of All Saints in Maldon, Essex, late 14th-early 15th century: 'Dedicacio ecclesie omni sanctorum de maldone' (24 September; seems

• Initial 'A'(ries) with pen-decoration., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Initial 'R'(yght) with pen-flourishing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• A drawing of a spirit, sun, man, and woman., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• A drawing of a man and woman embracing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Drawing of an eagle, a snake, a man and a frog, with a legend below., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• A drawing of a village., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Drawing of vessels relating to alchemy., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Miniature of Catherine., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of Barbara., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of Margaret., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Illuminated initial and border with foliate decoration., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of Christ before Pilate., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Miniature of the Flagellation of Christ., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his