• Miniature of Peter and Margaret., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of Catherine., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of Christopher and Barbara., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Illuminated initial 'D'(ilexi) with border., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of a procession into church., Book of Hours, Use of Paris

a procession into church. Several prayers added in the 17th century on originally blank parchment (ff. 13-16v, 23v-24v, 33r-v, 93v-95v, 119r-v, 163v-165v). 26 full-page miniatures with large decorated initials and full foliate borders, some probably originally left unfinished, in colours

• Miniature of a procession into church., Book of Hours, Use of Paris

a procession into church. Several prayers added in the 17th century on originally blank parchment (ff. 13-16v, 23v-24v, 33r-v, 93v-95v, 119r-v, 163v-165v). 26 full-page miniatures with large decorated initials and full foliate borders, some probably originally left unfinished, in colours

• Miniature of monks singing a requiem, with the celebrant wearing spectacles, decorated initial 'D'(ilexi) and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Church mass Master of the Salisbury Breviary St Stephen Master of the Bedford Hours Paris France, Central (Paris)

• Miniature of the Deposition and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse

blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Miniature of an eminent envoy sent by the head of the church being brought before the Grand Duke Dmitri., Skazanie o Mamaevom Poboishche (the Tale of the Rout of Mamai)

sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The

• Detail of a bas-de-page scene of a monk and a queen entering a church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a monk and a queen entering a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

• Detail of a bas-de-page scene of a king leading a couple to church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a king leading a couple to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added

• Detail of a bas-de-page scene of a man and a woman outside a church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a man and a woman outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

• Miniature of the Resurrection of Lazarus., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the monks in a choir with fixed rotating lecterns with books, singing the office of the Dead, with a shrouded coffin in the centre., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the Virgin and Child with angels., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the Adoration of the Magi., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of a saint standing on a lion., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of Roch with a staff and wallet, a pilgrim's shell on his hat, showing a plague-spot on his thigh, with an angel and a dog holding a loaf., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• A montage (now dismembered) of a full-page historiated border, with the text removed, of floral motifs, trompe l'oeil fruit, and medallions containing figures in gold monochrome of the four Doctors of the Church (clockwise from top) Gregory the Great, Augustine, Ambrose and Jerome (f. 89a; 325 x 240 mm) and a section of border (f. 89b; 10 x 25 mm); an historiated initial 'P' of Christ Disputing with the Doctors in gold monochrome, a winged putto and banner inscribed 'Apparvit / gratia dei / salvatoris / nostri / omnibus / homi / nibus' from Titus 2:11 (f. 89c; 80 x 80 mm); a historiated initial 'T' of the Ascension in gold monochrome and a banner inscribed 'Euntes in / mundum uni / versum predi / cate evange / lium omni / creature' from Mark 16:15 (f. 89e; 80 x 80 mm); an historiated initial 'T' of the Holy Women at the Tomb in gold monochrome and a banner inscribed 'Non est hic / surrexit / enim si / cut dixit' from Matthew 28:6 (f. 89j; 85 x 85 mm); a historiated initial 'N' of the Supper at Emmaus in gold monochrome and a banner inscribed 'Pax / vobis ego / sum / no / lite time / re ' from Luke 24:36 (f. 89l; 85 x 85 mm); a historiated initial 'T' of the ?Last Judgment in gold monochrome and a banner inscribed 'Ascendit / ad celeos sedet / ad dextram dei /patris omnipotent / is' (f. 89o; 95 x 80 mm); a historiated faceted initial 'T' held by a putto and entwined with a scroll inscribed 'Memento / nostri / Domine / in bene / placito / populi / tui' from Matthew 28:6 (f. 89q; 95 x 90mm); and 9 strips of gold parchment (ff. 89d, f-i, k, m, n and p). On the reverse of the border and initials are lines of partial text ‘E…’ (f. 89a verso); '…cut erat in /… et n[u]nc et se/...cula seculo /e[n]. Iteru[m] re' (f. 89c verso); '…ferimus pro / sancta catho /…acificare: cu /…nare: et regi' (f. 89j verso); '…erat in prin / e et semper: / eculoru[m]. Am /…epetit[ur] introi' (f. 89l verso ); '…ius pro ec / …catholica q / …ustodire ad /…ere digner /…erraru[m] una (f. 89o verso); and '…i offerimus /… tua sancta /…m pacificar /…dunare, et i/…is toto orb' (f. 89q verso)., Cuttings from service books of Pius IV

trompe l'oeil fruit, and medallions containing figures in gold monochrome of the four Doctors of the Church (clockwise from top) Gregory the Great, Augustine, Ambrose and Jerome (f. 89a; 325 x 240 mm) and a section of border (f. 89b;

• A montage (now dismembered) of four sections of historiated border of cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a; 35 x 240 mm); of Augustine, Gregory, a scene with many figures and two plaques inscribed 'MDLXIIII' and 'Iulio' (f. 83e; 270 x 35 mm); of Matthew, the Ascension, Luke and two medallions inscribed 'Ut / in nomi / ne / Iesu' and 'Om / ne genus flecta / tur' (f. 83h; 35 x 240 mm); of Jerome, Ambrose, and a scene with many figures and two plaques inscribed 'Anno V' and 'Mense' (f. 83d; 270 x 35); four plaques inscribed 'Apollonius / de / Bonfratellis / de / Capranica' (f. 83b; 35 x 35 mm), 'Capellae / et / Sacrestiae / Apostolicae / Minaiator / Fecit' (f. 83c; 35 x 35 mm), 'Anno / Domini / MDLXIV / Mense Iulio' (f. 83f; 35 x 35 mm), and 'Sedente / Pio Iv / Pont. Opt. Max. / De Medicis / Mediolanense / Anno V' (f. 83g; 35 x 35 mm); and two strips of gold parchment (ff. 83i and j; 50 x 80 mm each)., Cuttings from service books of Pius IV

annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Resurrection, Ascension, Evangelists and Doctors of the Church Apollonio de' Bonfratelli Rome Italy, Central (Rome)