• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Text page with intials 'A' and 'P' and rubric in red., Epistolae, De obitu Theodosii, De Nabuthae

3080 (see Ker 1976). Initials, numbers and rubrics in red (some oxidised). Epistolae, De obitu Theodosii, De Nabuthae The cathedral church of St Mary, Salisbury: (see Ker 1987).The Old Royal Library (the English Royal Library): in the catalogue of the

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Decorated initials in a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9., Ordinal, Use of Sarum

a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Prayers, and in the lower portion of the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele., Ordinal, Use of Sarum

the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a zoomorphic initial 'M', formed of two dragons., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inscription recording that the book was given in 1503 by Edmund Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d tercio et a[nn]o r[egni] r[egi]s Henrici VIImi xixº.', Commentary on Catholic Epistles and Commentary on Tobit

Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d

• Inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Decorated initial 'H'(ic est), with an instruction for display script., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Historiated initial 'I'(n principio) with the Lamb with cross, a bird, and a dragon in medallions, at the beginning of John., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Records of the revenues of the Benedictine abbey of St Augustine, Canterbury., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form