• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a decorated initial 'H'(ic est), with an instruction for display script., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford. f. 1* is a parchment

• Puzzle-initial 'T'(ranscriptum) with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'., Testamentum XII patriarcharum (ff. 1-15); Beniamin minor, in verse (ff. 15-20); Elucidarius (ff. 20v-34v)

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Inscription of a title reading, 'Expositio su[per] Reg[u]lam beati Benedicti. nova' with a reference sign repeated at the beginning of the text (f. 3), a shelfmark, 'D. III. g. XII, an ownership inscription of John Lumley, and an offset of a miniature from leaf 2v., Expositio in Regulam S. Benedicti

Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed [under erasure] 'Liber Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er]

• Zoomorphic initial 'M'(agnitudo) in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a grotesque(s)., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Zoomorphic initial 'I' in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Detail of a miniature of Edward the Confessor and Edward the Martyr (?)., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of Catherine and another female saint holding a sword and scourge., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of John the Baptist and John the Evangelist., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of two bishop saints., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of the Presentation in the Temple., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of the Flagellation of Christ., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of a miniature of the Annunciation., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban