• Interlace initials 'D'([omi]no' and 'M'(ulta) at the beginning of Bede's prologue to his verse Life of Cuthbert, addressing a priest named John, who was setting out on a pilgrimage to Rome., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

or Old English. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Ink diagram of a left hand, inscribed with suggestions for nightly meditations., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

(ff. 1-6v), which includes the date of the dedication of the Ludlow parish church of St. Laurence,French Psalter followed by other liturgical prayers (ff. 8-53v, 53v-59),Hours of the Virgin and of the Dead (ff. 59v-67v, 68-69v, imperfect), Richard de Fournival,

• Zoomorphic initial 'P'(auci) with grotesque and knot-work motifs, at the beginning of Jerome's 'Contra Iouinianum'., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime and

• Historiated miniature of Agnes Enthroned flanked by two musician angels, below (left) the saint's statue holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page border in colours and gold, of foliage and birds with three medallions in the lower margin containing two scenes of Agnes surviving being thrown into flames at the order of Aspasius and a male and female member of the Compagnia di Sant'Agnese kneeling in prayer. Beneath the miniature is a single four-line red stave, musical notation and a single line of text in gold capitals 'Sancta Agnese da dio'., Leaf of a Hymnal (index laudario), containing part of the hymns to Agnes and Anthony

holding out its finger to receive an emerald ring from Paulinus, a priest of the church of Saint Agnes who wished to be allowed to marry, and (right) Agnes appearing to relatives maintaining a vigil besides her tomb. Historiated full-page

• Coloured initials with the hymns for vespers on the day for the commemoration of the birth of Cuthbert. The words of the songs are written in black, while the terms identifying them (such as 'a' for 'antiphon', 'pt' for 'psalm' or 'responsory') are written in red. Above each line, the music is written in Breton neumes., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66)

in Breton neumes. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Illuminated initial 'B'(eatus) at the beginning of Psalm 1 in a full border, with medallions in the corners of personifications of Church and Synagoge in the upper medallions, and two standing men in the lower medallions, perhaps Paul and a prophet, and in the centre of side borders mandorlas with David playing a harp and a musician playing a fiddle. Within the border are numerous animals, and around the letter are many figures including the symbols of the Evangelists in the corners, standing prophets holding scrolls, a standing man in armour holding a spear and shield with a smaller man below in a conical hat, possibly Goliath and David, together with another musician, various entertainments including a knife-juggler and a bear-baiter, and animals and birds within foliage., Psalter, with calendar, ending imperfectly

a full border, with medallions in the corners of personifications of Church and Synagoge in the upper medallions, and two standing men in the lower medallions, perhaps Paul and a prophet, and in the centre of side borders mandorlas with

• Historiated initial 'D'(ixit) with a Gnadenstuhl (Throne of Grace) Trinity, with two angels with incense on either side., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Historiated initial 'B'(eatus) with David playing a harp, and the Annunciation to the Virgin below, with Gabriel holding a scroll inscribed 'Ave Maria, gratia plena, Dominus tecum', at the beginning of Psalm 1., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Historiated initial 'D'(ominus) with the Visitation, and below Christ writing in the sand before the woman caught in adultery with hands clasped and onlookers, one pushing her forward (?) (identified by Morgan as '(?) Mercy and Truth', at the beginning of Psalm 26., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Historiated initial 'D'(ixi) with Mary nursing Jesus, while Joseph and the midwife look on, above Job on the dungheap, at the beginning of Psalm 38., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Historiated initial 'E'(xultate) with Jacob wrestling the angel (perhaps because Jacob is mentioned in the first verse), and the Presentation in the Temple below, at the beginning of Psalm 80., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Historiated initial 'C'(antate) with three monks, and below, Christ teaching in the temple, at the beginning of Psalm 97., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Illuminated 'KL' letters in the calendar page for February, with the later additions of the death of 'John Holebrook' in 1400 added to 13 February. The inscription in red in the last line gives the number of hours for nights (14) and days (10) in February., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Full-page miniature in two registers, of Catherine (with her wheel), Mary Magdalen (holding a small vial), Margaret (trampling the dragon), and below, the stoning of Stephen., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of