• Detail of a pen drawing illustrating Psalm 108., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 109., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 113., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Puzzle initial on the first page of text, from the book of Job, with Arundel and Lumley ownership signatures., Bible (Job to Revelation)

from Job to Revelation. The first volume is Royal 1 E VII. The text corrected or emended by a Christ Church scribe; other manuscripts attributed to him are: Cambridge, Trinity College, B. 1.17 and B. 3.9 (see Marsden 1994 and

• Coloured initial 'B'(eatus) with display script, at the beginning of Psalm 1, with the pressmark of Christ Church, Canterbury 'r', and ownership inscriptions of Thomas Cranmer and Lord Lumley., Psalter, in the Roman version, with Old English gloss, and 12 canticles

century (ff. 9, 29v, 62v, 69).The Benedictine abbey of Christ Church, Canterbury: Christ Church pressmark 'r' with a title 'Psalteriu[m] s[anc]ti Jeronimi glosatu[m]', 12th century (f. 8) and Christ Church script, 11th century (ff. 197-198, according to Ker, 1957).Thomas Cranmer

• Text page with intials 'A' and 'P' and rubric in red., Epistolae, De obitu Theodosii, De Nabuthae

3080 (see Ker 1976). Initials, numbers and rubrics in red (some oxidised). Epistolae, De obitu Theodosii, De Nabuthae The cathedral church of St Mary, Salisbury: (see Ker 1987).The Old Royal Library (the English Royal Library): in the catalogue of the

• Decorated initial 'A' with a dragon and foliage., Gradual (the Temporale and Sanctorale combined)

red or brown. Highlighting of letters in red or green. Rubrics in red. Gradual (the Temporale and Sanctorale combined) A church in the area of Noyon: an alleluia for St Eloi (f. 56v). Clipping from an action catalogue cdescribing the

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ