• Illuminated 'KL' letters in a calendar page for September with foliate decoration, and in the margin roundels of the occupation of the month of a man picking fruit, and the zodiac sign, Libra, the scales. About half-way down the page is an added inscription in black ink recording the death of Ranulf, bishop of Chichester, and about ten lines lower down, another inscription recording the death of Avicia, mother of precentor 'E' of Chichester., Psalter, with calendar, ending imperfectly

of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription

• Illuminated initial 'B'(eatus) at the beginning of Psalm 1 in a full border, with medallions in the corners of personifications of Church and Synagoge in the upper medallions, and two standing men in the lower medallions, perhaps Paul and a prophet, and in the centre of side borders mandorlas with David playing a harp and a musician playing a fiddle. Within the border are numerous animals, and around the letter are many figures including the symbols of the Evangelists in the corners, standing prophets holding scrolls, a standing man in armour holding a spear and shield with a smaller man below in a conical hat, possibly Goliath and David, together with another musician, various entertainments including a knife-juggler and a bear-baiter, and animals and birds within foliage., Psalter, with calendar, ending imperfectly

of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription

• Historiated illuminated initial 'D'(ixit) at the beginning of Psalm 52, of the Devil tempting Christ, with Christ dropping the stones, which the Devil has tried to provoke Christ to turn into loaves of bread, and in the ascender of the initial, three hares and a dragon., Psalter, with calendar, ending imperfectly

of Bishop Ranulf on 15 September (f. 8); and of the precentor's father John on 24 April (f. 5v), and mother Avicia on 26 September (f. 8).? John Howard (? d. 1426) and his wife Alice Tendring: erased 15th-century inscription

• Historiated initial 'F'(rater) depicting Jerome and Damasus (above), and Jerome and Ambrose (below), with the ownership inscriptions of Abbot Robert de Bello at the top of the page and under the feet of the peacock., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

Additional 53710 and Stowe 378--both also from St Augustine's--from Sadler).Unidentified owner: with his number '61.' (f. ii, upper right corner).Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: his sale 6 April 1807, lot 1186, bought

• Historiated initial 'L'(iber) depiciting a Tree of Jesse, at the start of Matthew; the prologue has a smaller historiated initial 'M'(atheus) depicting two male figures., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

Additional 53710 and Stowe 378--both also from St Augustine's--from Sadler).Unidentified owner: with his number '61.' (f. ii, upper right corner).Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: his sale 6 April 1807, lot 1186, bought

• Zoomorphic initial 'S'(anctus) formed of a dragon, with foliate decoration, display script, and pen-flourishing in the margin, at the beginning of the prologue to the commentary on Psalms., Commentary on Psalms 1-50

acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and

• Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

Historiated initial 'P'(aulus) of Paul, at the beginning of 1 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89, 101v, 111v,

• Zoomorphic initial 'D'(ominica) of a dragon, at the beginning of the commentary for the first Sunday of the Advent., Commentary on lections from the Epistles and Gospels from Advent to Easter

Zoomorphic initial 'D'(ominica) of a dragon, at the beginning of the commentary for the first Sunday of the Advent. Quire signatures. 1 zoomorphic initial in colours at the beginning of the text (f. 1). Puzzle pen-flourished initials in red

• Detail of a miniature of the awe-struck apostles praising Christ as the Son of God, in a visualization of John 21:7., Psalter, with canticles (ff. 136v-139v)

Christ as the Son of God, in a visualization of John 21:7. Includes one of the earliest surviving drawing of the martyrdom of Becket: see discussion Kauffmann 1975.f. 51 is a replacement page, with text in a 14th-century hand.Interlineal text

• Puzzle initial 'D'(ominus) at the beginning of the commentary on Psalm 26., Commentary on Psalms 1-50

acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and

• Puzzle initial 'B'(eatus) with foliate decoration, and a drawing of a dragon with pen-flourished decoration in the lower margin, at the beginning of the commentary on Psalm 1., Commentary on Psalms 1-50

acquired by the Upper Library at Westminster after the inventory of 1542; in the select list of works noted by John Bale of c. 1548 as 'Pully super Psalterium'; in the catalogue of 1666, Royal Appendix 71, f. 15v; and

• Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue., Pauline Epistles, with the commentary of Peter Lombard

Historiated initial 'P'(rincipia) of Peter Lombard writing his commentary, at the beginning of the prologue. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v,

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians., Pauline Epistles, with the commentary of Peter Lombard

Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of 2 Corinthians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v,

• Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans., Pauline Epistles, with the commentary of Peter Lombard

Historiated initial 'P'(aulus) of Paul holding a sword and a cross and addressing a Roman, at the beginning of Romans. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's

• Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians., Pauline Epistles, with the commentary of Peter Lombard

Historiated initial 'P'(aulus) of Paul holding a sword, at the beginning of Galatians. Bifolium signatures. 15 historiated initials in colours and gold, at the beginning of the Epistles and of Peter Lombard's prologue (ff. 1, 1v, 43v, 73v, 89,

• Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

Decorated initial 'F'(uit in diebus Herodis regis), with foliate and zoomorphic motifs, at the beginning of Luke. The Gospels probably once formed a separate volume or volumes.f. 1 is a parchment flyleaf.Blank leaf between Mark and Luke (ff. 126-127).Some

• Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts., Gospels, Acts, Epistles, Apocalypse with the Glossa ordinaria

Decorated initial 'P'(rimum), with foliate and zoomorphic motifs, at the beginning of Acts. The Gospels probably once formed a separate volume or volumes.f. 1 is a parchment flyleaf.Blank leaf between Mark and Luke (ff. 126-127).Some annotations in the lower

• Detail of a miniature of the bringing of the head of John the Baptist., Psalter, including a calendar (ff. 13-18v)

the bringing of the head of John the Baptist. The Veronica image is the earliest in Western art, according to Lewis 1987 p. 127.This is the earliest richly illuminated manuscript with fairly definite evidence of having been made in Oxford,

• null, Historia Anglorum, to 1198, with a table of chapters, preceded by the author's dedicatory letter; various sermons (ff. 159-172)

Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the

• null, Historia Anglorum, to 1198, with a table of chapters, preceded by the author's dedicatory letter; various sermons (ff. 159-172)

Holes with rust (ff. 170-174), evidence of former chain holes.Various inscriptions (ff. 173-174). 6 large initials in red, blue, or green with penword foliate decoration in the other colours, characterised by Lawrence as 'split-petal' and 'three-lobed-bud' motifs at the