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a miniature of John with a symbol of Mark and the vision of the Red Horse, illustrating the opening of the Second Seal (Revelation 6: 3-4). According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v),
of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master
of John with a symbol of Luke and the vision of the Black Horse, a portent of famine, illustrating the opening of the Third Seal (Revelation 6: 5). According to Sandler 1986, illuminated by three artists: The Queen Mary Master
of John with five souls, two of whom are being given robes by angels. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
a miniature of John with five souls, two of whom are being given robes by angels. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v).
initials in colours and gold, of Gabriel and Zachariah (f. 14), the birth (f. 15) and naming (f. 18) of John the Baptist with two four-line red staves visible through the illumination. 18 historiated initials in colours and gold, of
Historiated initial 'D', instead of 'O'(mnem) of en emperor (or a pope?) with a sword and three men before him, at the beginning of the Constitutio Omnem. Catchwords; lemmas underlined in ink or in yellow. 1 historiated initial in
circuit of wall in a lake) (ff. 7v-8). Atlas with seven double-page Portolan charts (index Portolano, maps, Lord Lumley's Atlas) John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: his name inscribed (f. 1); listed in
1406) and his wife Alice Beauchamp (d. 1383), daughter of Thomas, earl of Warwick (d. 1369) and widow of Sir John Beauchamp of Hatch Beauchamp, perhaps belonged to them: the arms of Beauchamp, earl of Warwick (gules a fess between
1406) and his wife Alice Beauchamp (d. 1383), daughter of Thomas, earl of Warwick (d. 1369) and widow of Sir John Beauchamp of Hatch Beauchamp, perhaps belonged to them: the arms of Beauchamp, earl of Warwick (gules a fess between
1698?), no. 7976.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Decorated initial 'Q' Written by more than one scribe John of Freiburg (Johannes de Friburgo) East Anglia England, S. (East Anglia)
7976.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial and pen-flourished initials Written by more than one scribe John of Freiburg (Johannes de Friburgo) East Anglia England, S. (East Anglia)
Puzzle initial 'D'(omino) with a partial border, at the beginning of the Secretum Secretorum. Includes the Secretum Secretorum, a didactic treatise believed to be a work of Aristotle composed for the guidance of Alexander the Great, in the second
sitting at the centre of the table, embracing John; on each side of Christ are seated five apostles; Judas is in the right foreground, shown from behind, in the left foreground is the inn keeper, pouring wine from a jug
Pen-flourished initial 'Q'(uant). f. 1 is a parchment leaf with a list of accounts of farms at St. Hyllaire, near Falaise, Normandy, added in the 15th century.The text is similar to, but not derived from, Paris MS. Bibl. Nat.,
Crucifixion, with Mary and John flanking the cross, and personifications of the sun (Sol) and moon (Luna) above the arms of the cross, and half-length figures of Adam and Eve emerging from their graves below. This image faces one of
of the New Earth, and a miniature of John with an angel and the vision of the New Sea, illustrating Revelation 21:1. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v,
curtain before John. Facing miniatures are now separated by an inserted paper leaf. 10 full-page miniatures in colours and gold, of Christ in Majesty opposite two clerics presenting a book, and Evangelist portraits opposite the Annunciation, the Nativity, the Crucifixion,
before the beginning of John. Facing miniatures are now separated by an inserted paper leaf. 10 full-page miniatures in colours and gold, of Christ in Majesty opposite two clerics presenting a book, and Evangelist portraits opposite the Annunciation, the Nativity,
at the beginning of John, in a decorated frame. Facing miniatures are now separated by an inserted paper leaf. 10 full-page miniatures in colours and gold, of Christ in Majesty opposite two clerics presenting a book, and Evangelist portraits opposite