• Detail of a miniature of an angel showing John a vision of the fall of Babylon, from Revelation 18., Apocalypse (Revelation)

of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours

• Miniature of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and fire burning the earth, from Revelation 8:7., Apocalypse (Revelation)

of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and

• Detail of a miniature in four segments: 1. Pierre Bersuire reading; 2. the Death of Hasdrubal; 3. John II enthroned; 4. A battle illustrating the second Punic War, at the beginning of decade 2., Ab urbe condita (Les decades de Titus Livius)

3. John II enthroned; 4. A battle illustrating the second Punic War, at the beginning of decade 2. Contains the 'Ab urbe condita' of Livy, translated by Pierre Bersuire (ca. 1290-1362), as 'Les decades de Titus Livius', for John II,

• Illuminated initial 'A'(nno), with a partial border, at the beginning of book 2., Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Illuminated initial 'P'(ost) with a partial border, at the beginning of book 5., Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Detail of an angel holding a scroll with a catchword., Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Miniature of God enthroned holding a globe with two angels supporting a papal tiara above him, and four Evangelists writing on scrolls with their symbols; two scenes in the bas-de-page, Samson with the gates of Gaza and Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy; and a foliate initial 'P'(our) with a full border, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Illuminated initial 'D'(a michi), with a full border, at the beginning of the prologue., Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• null, Commentary on Unum ex quatuor

155, 158). Space left, perhaps for a miniature, with an inscription: 'Salomon, David, Nathan' (30v). Commentary on Unum ex quatuor John Leyre, rector of Great Doddington, Northans (1377-81), presented to the church of Doddington, in the diocese of Lincoln in

• Calendar page for February, with the dedication of the church of St. Lawrence, Ludlow (the largest parish church in Shropshire): about half-way down the page, written in red ink at 13 February, is 'Dedicacion de la eglise seint Laurence de Lodelawe'., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Coloured initials in the litany. Each column on this page has the saint's name to the left, followed by a space and an abbreviation of the word 'priez' (pray [for me]), with a hybrid creature in the lower right margin., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Ink drawings of a huntsman and his dog chasing a female ape: the ape carries one child on her back, and the other on her front, and a mermaid and a ship in the sea., Miscellany, including a calendar, Psalter with prayers and Hours of the Virgin, imperfect, Bestiaire d'amour; Rules, and the Chronicle of Turpin (see Notes)

in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance