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Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large
watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence
d[omi]n[u]m/ Humfredum Gloucestrix Ducem d[omi]n[u]m suu[m] singularissimu[m] / Locutores Athanasius, Arius et c'; with an inscription identifying the text by John Theyer. The texts include: Contra gentes, De incarnatione verbi, De unitate substantiae deitatis dialogus, as well as a selection
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the
chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the
note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);
White vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v, 61). Coloured
White vine initial 'Q'(uemadmodum) in colours at the beginning of the book. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,
contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Adoration of the Magi Master of Sir John Fastolf Rouen France, N. E. (Rouen)
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Flight into Egypt Master of Sir John Fastolf Rouen France, N. E. (Rouen)
Detail of white vine initial 'Q'(uam) at the beginning of De officiis. Part 1: original foliation. Ends with a table of contents (ff. 87v-89) Large white vine initials in colours at the beginning of each book (ff. 1, 38v,
Detail of text page f. I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v,
fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Pentecost Master of Sir John Fastolf Rouen France, N. E. (Rouen)
of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initials Master of Sir John Fastolf Rouen France, N. E. (Rouen)
Pen-flourished initials Vertical catchwords. Alternating initials in blue with red pen-flourishing or in red with violet pen-flourishing. Rubrics in red (now faded). Meditations on the Life of Christ Written in 1454 by Jacobus de Parma in Bologna for Frater
Historiated initial 'Q'(ui) of the Resurrected Christ, with foliate extensions and gold besants. Written by several scribes, one of whom wrote the lists of ~capitula~ (ff. 1-4) and the text on ff. 5-106v. Several others wrote ff. 107-199 (see
Large white vine initial 'O'(mnes) enclosing a putto, with a butterfly in the margin, at the beginning of the text. Giovanni di Stia was a Florentine notary.Explicit followed by 4 verses 'Roma vetus veteres […] Quorum consilio precipitata ruis'
White vine initial 'H'(erbarum) with a butterfly. ff. 1 and 2 are parchment flyleaves.ff. 1 and [46] are former pastedowns.Marginal notes list ailments for which the various herbs are recommended. 1 large white vine initial in gold, purple, blue
possibly by, Luigi Piero Guicciardini, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 9 November 1721, but the manuscript is not inscribed as