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Historiated initial 'E'(x) of Petrarch at the preface of the second book. f. [iv] is a former pastedown.There are 3 unfoliated ruled folios after f. 6*.The table of contents (ff. 1*-6*) is in a different hand from the rest
Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made in Florence in the late
Text page with decorated initial 'F'(ratres) and three initials smaller with penwork decoration: 'C'(onditor), 'E'(xcita), 'V'(erbum). Horizontal catchwords, some with simple penwork frames.f. [278] is a ruled parchment leaf. 2 large illuminated intials in colours and gold with acanthus
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Puzzle initial John Chrysostom (index Johannes Chrysostomus) England
including: 'Johan Holland ownethe this book god make her a good woman' and 'The 15th of February 1590 payd to John his nurse' (f. 44).Excerpt from 'Seneca ad Lucilium', 18th century (f. 1*v).The Harley Collection, formed by Robert Harley (b.
Initial 'H' with pen-work decoration. Watermark of a basilisk with no direct comparison in C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition with
Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic
signature probably once appeared in the top right corner of f. 1, which has been cut off (see Wright 1972). John Warburton (b. 1682, d. 1759), of Bury, county Lancashire, antiquary and herald, Somerset Herald in 1720: sold to Edward
Large white vine initials 'E'(phigeniam) and 'V'(ere), and an effaced coat of arms of a gold shield with three red stars (?) on a blue ground, encircled by a wreath. f. 1* is a paper leaf.Ruled in ink.Horizontal catchwords.
initials with grey penwork decoration, some with faces in the bowls. Rubrics in red. Capitals marked in red. Latin Poems John Somers (b. 1651, d. 1716), baron Somers, lawyer and politician: inscribed by Edward Harley, 'Janu: 6. 1738/9 from Ld
a different hand (ff. 4-9v).'Oratio valde bona ad dicendum in mane' with a reading from John and a prayer 'Deprecor te, domina mea' omitted after readings from Luke, Matthew and Mark (ff. 64v-68) and added by the same hand at
with a partial border containing the arms of John Donne, at the beginning of the list of contents. Contains books of the second volume of the Chroniques of Froissart; the other volumes are Royal 14 D II, 14 D IV-VI.Catchwords
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer