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(including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes (Pegasus, mermaid, man and centaur), and an unidentified coat of arms, at the beginning of the dedication to
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St
initials in red. Paraphs in red. Miscellany of prose and verse, including Gregory's Chronicle, a dietary (ff. 66-77); John Page's poem The Siege of Rouen; a chronicle of London breaking off in 1470; the Seven Sages of Rome (ff. 3-54v)
was in th[e] Kinges displeasu[re]' (f. 73). John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,
Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’ (f. 66). ? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Archbishop Anselm’s Similitudes, Compleat/Wrote about Anno Domini 1400
but 1698?), II, no. 6513 or 6523.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no .
include those of Wyfolde or Wywold, Gregory and Norman, Lord Mayors in 1450, 1451, and 1453; John Derby, sheriff of London in 1446; John Stockton and William Stoker, Lord Mayors in 1470 and 1483 and the arms of the Tallow
of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold
of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left
Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs
Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a
of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified
names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and