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was a user-produced codex made by Benjamin for himself, see ~The North French Hebrew Miscellany (British Library Add. MS. 11639)~ (London: Facsimile Editions, 2003), pp. 70-71, 124-125. Numerous inhabited initial-word panels, and inhabited and decorated panels in colours and gold
was a user-produced codex made by Benjamin for himself, see ~The North French Hebrew Miscellany (British Library Add. MS. 11639)~ (London: Facsimile Editions, 2003), pp. 70-71, 124-125. Numerous inhabited initial-word panels, and inhabited and decorated panels in colours and gold
was a user-produced codex made by Benjamin for himself, see ~The North French Hebrew Miscellany (British Library Add. MS. 11639)~ (London: Facsimile Editions, 2003), pp. 70-71, 124-125. Numerous inhabited initial-word panels, and inhabited and decorated panels in colours and gold
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
appear in original portions of the text, the latter relating to the imprisonement of John Balliol in the Tower of London on 1 August 1296 (ff. 21v, 90, 90v, 91, 160; see Watson 1979). Written for the Augustinian priory of
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.
his collection in 1846 (see ~Bibliotheca Lindesiana: Upon the Facsimile, Paintings and Publications of the Comte Auguste de Bastard d'Estang~ (London: Wyman and Sons, 1886), p. 39, and J.-F. Auguste Bastard d'Estang, ~Peintures et ornements des manuscrits…~ (Paris, 1832-1869), no.