• Historiated initial 'Q' of Peter, with the descender of the letter composed of a foliate extension of acanthus leaves (centre)., Cutting from a Gradual (sanctorale)

four-line staves visible through the gold of the initial matches those of the initials at the Victoria and Albert Museum, London, which have been identified as belonging to two volumes of a Temporale from the lost San Michele Graduals: MS

• Micrography and decorated ~parashah~ sign at the beginning of ~parashat Noah~ (Gen. 6:9-11:32)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 10., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 22-23., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 24., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 38-39., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography and decorated word ~hazaq~ at the end of Genesis., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Exodus 7., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at the beginning of ~parashat Bo~ (Exodus 10:1-13:16)., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Micrography at Genesis 15., Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

are visible. Numerous micrographical designs. Numerous decorated ~parashah~ signs, in ink. Pen drawing of a castle (f. 1). Pentateuch (the 'London Catalan Pentateuch') (ff. 1v-171v), ~Haftarot~ (ff. 172-225), and Five Scrolls (~Hamesh megillot~; ff. 225-246) with ~masorah magna~ and ~parva~

• Detail of a miniature of the dance of Mirth and Gladness., Roman de la Rose

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Historiated initial 'E'(dwardus) of Edward III enthroned giving a charter to the kneeling Black Prince, at the beginning of a collection of documents relating to Black Prince's principality of Aquitaine., Collection of treaties

king of France, all bearing the date 24 October 1360, with the ratification by king John of the treaty in London in 1362, followed by the oath of the four dukes, Louis d'Anjou, Philip of Orleans, Jean of Berry, and

• Historiated initial 'I'(ohan) of John II the Good, king of France, with a shield bearing the royal arms of France in the margin, at the beginning of the collection of documents relating to the Peace of Brétigny., Collection of treaties

king of France, all bearing the date 24 October 1360, with the ratification by king John of the treaty in London in 1362, followed by the oath of the four dukes, Louis d'Anjou, Philip of Orleans, Jean of Berry, and

• Large initials in red., Compilation of classical texts

library in Düsseldorf: bought the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Maittaire (b. 1670, d. 1747), the classical scholar and

• Medallion containing the zodiacal sign for Virgo and men making barrels, at the page for August in the Calendar., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the presentation of the Virgin in the Temple, and historiated initial 'A'(d) with the Virgin as Woman of the Apocalypse, and full all'antica borders, with martyred saints in the corners, at the beginning of the Gradual Psalms; at the bottom, the arms of the Medici and the Salviati have been obliterated with gold., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the Trinity, decorated initial 'L'(i), and full border, at the beginning of Jean de Meun's Testament., Testament

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Text page of the Roman de la Rose with initials with pen-flourishing., Roman de la Rose

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of Dread, Shame, and Danger, in the Roman de la Rose., Roman de la Rose

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire