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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1742 results from this resource . Displaying 81 to 100

the 17th-century list of contents (f. 2) and in David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).A part of the manuscript including Nicolas Trevet's Annales sex regum Angliae, a list of Anglo-Saxon kings, the Revelationes

the 17th-century list of contents (f. 2) and in David Casley, ~A Catalogue of the Manuscripts of the King’s Library~ (London, 1734).A part of the manuscript including Nicolas Trevet's Annales sex regum Angliae, a list of Anglo-Saxon kings, the Revelationes

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4v; its book-plate inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

National Biography~ (Oxford: Oxford University Press, 2004) [http://www.oxforddnb.com/view/article/12020, accessed 10 Feb 2006]. Thomas Rodd the younger (b. 1796, d. 1849), London bookseller; bought from him by the British Museum on 13 August 1840 for 10s, along with 32 other manuscripts

his sale 26 June 1885, lot 124.George Salting (b. 1835, d. 1909), art collector and benefactor: probably purchased from Colnaghi, London art dealers (Kanter); bequeathed by him to the British Museum.Transferred from the Department of Prints and Drawings of the

Statuta Angliae, Statute book) from Edward III to Richard II Inscription, 15th century, partly erased (f. 225v). C. Meyer, book-seller, London, late 18th century: a pink label inscribed 'Bound & Sold by C. Meyer. Bookseller & Binder to the Queen

as supporters two lions [argent]; a couronne de marquis surmounting the shield (f. 1*).Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 16, bought for Edward Harley through Thomas Bacon.The Harley Collection, formed by Robert

as supporters two lions [argent]; a couronne de marquis surmounting the shield (f. 1*).Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 16, bought for Edward Harley through Thomas Bacon.The Harley Collection, formed by Robert

II being delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of

delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of Burgundy. On

delivered to the citizens of London. Illustrated by the Virgil Master (fl. in Paris, c. 1309-1420).Jean Creton (fl. 1386–1420), historian and poet. This work was commissioned between November 1401 and March 1402 by Philip the Bold, duke of Burgundy. On

four-line staves visible through the gold of the initial matches those of the initials at the Victoria and Albert Museum, London, which have been identified as belonging to two volumes of a Temporale from the lost San Michele Graduals: MS

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 4 July 2024), https://www.manuscriptsonline.org/search/results?ft=t&kw=london&sdf=1385&sdt=1413&sr=ci&st=80