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- Catalogue of Illuminated Manuscripts

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British Library Catalogue of Illuminated Manuscripts

34 results from this resource . Displaying 21 to 34

Border of floral motifs and bezants with a winged putto holding a tablet inscribed 'L.X.P.M.', the initials of Leo X, and Medici device of a diamond ring with three feathers and motto 'Semper'. The present border is composed of three cuttings, measuring 205 x 45 mm, 135 x 45 mm and 185 x 45 mm., Cuttings from Missals of Pope Leo X

include Add. 21412, ff. 20-44; Cambridge, University Library, Ms Add. 4165 (15); Geneva, Bibliothèque de Genève, Comites Latentes, MS. 109; London, Sotheby's, 15 June 1959, lot 120, 21 June 1988, lots 36-37, 21 and 22 June 1993, lots 46 and

Border of floral motifs and bezants with a kneeling winged putto and the Medici device of a diamond ring with three feathers and motto 'Semper'. The present border is composed of two cuttings, the first measuring 200 x 45 mm and the second 240 x 45 mm., Cuttings from Missals of Pope Leo X

Border of floral motifs, bezants and a zoomorphic lion's head with a winged putto standing on a medallion inscribed 'L.X.P.M.', measuring 455 x 45 mm., Cuttings from Missals of Pope Leo X

Border of floral motifs and bezants with the Medici devices of a diamond ring with three feathers and motto 'Semper' flanked by two winged putti and a yoke with a scroll inscribed 'Suave surmounted by an initial 'N' within a medallion, measuring 435 x 55 mm. Gold filigree ornament has been applied vertically on the left of the border., Cuttings from Missals of Pope Leo X

Historiated and foliate border of a medallion with the Medici device of a yoke with a scroll inscribed 'Suave' surmounted by a standing winged putto, measuring 445 x 45 mm., Cuttings from Missals of Pope Leo X

Decorated initials 'C'(orynthis) and 'P'(oul) at the prologue of 1 Corinthians., Wycliffite New Testament, later version with the usual prologues and table of lections (index tabulae lectionum, capitularia, lists of pericopes)

table of lections (index tabulae lectionum, capitularia, lists of pericopes) Richard Smith (b. 1590, d. 1675): book collector, Little Moorfields, London: inscribed, 'Ex bibliotheca Smithiana' (f. [iv]).John Mould: memorandum signed by him, dated 1682 (f. 283v).The Harley Collection, formed by

Detail of a medallion with Jerome., Cutting from a Missal

His sale, Sotheby's 11 May 1838, lot 190; purchased by Sotheby for £4 1s. Samuel Sotheby (b. 1771, d. 1842), London auctioneer and book collector: ?his inscription with details of alleged origin, attribution, date and value added to text taken

Detail of a monochrome angel., Cutting from a Missal

Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

Miniature of Aimeri kneeling before Charlemagne., Cycle of Aimeri de Narbonne: 'Girart de Viane' by Bertrand de Bar-sur-Aube, 5560 lines, imperfect at the beginning (ff. 4-38v), 'Aimeri de Narbonne' and 'Narbonnais', 12850 lines (ff. 38v-120v), 'Siége de Barbastre', 8400 lines (ff. 121-175), and 'Guibert d'Andrenas' and 'Mort d'Aimeri', 6560 lines, imperfect at the end (ff. 176-217v)

lions [argent]; a couronne de marquis surmounting the shield (f. 1v; see Wright 1972).Thomas Ballard, bookseller and book auctioneer in London; his sale, 20 February 1720/21, lot 192, bought for Edward Harley possibly through Nathaniel Noel (see Wright and Wright

Detail of a table of signs and images used in the text to mark some of the subjects treated in the text, with explanations of their meanings., Series causae inter Henricum regem et Thomam archiepiscopum, Abbreviationes chronicorum, and Imagines historiarum

explanations of their meanings. Includes 3 works of Ralph de Diceto (d. 1199/1200), chronicler and ecclesiastic, dean of St Paul's, London (1180-1199/1200):Series causae inter Henricum regem et Thomam archiepiscopum, written in a different hand that the rest of the volume

Detail of angels holding a shield with the arms of Holy Trinity Priory, Aldgate, London in the upper margin of the folio., Lectionary, imperfect (the 'Lovell Lectionary')

the arms of Holy Trinity Priory, Aldgate, London in the upper margin of the folio. ff. 1-3 are paper leaves.The name John Siferwas occurs in the Sherborne Missal with 'Illuminator': see Scoft 1996 p. 62. Large miniature in colours of

Miniature of John the Evangelist writing, with his symbol, the eagle, before him, with a full border including grotesques, two angels holding a shield with the arms of Holy Trinity Priory, Aldgate, London in the upper margin, and the arms of the Holand and Lovell families in the lower margin., Lectionary, imperfect (the 'Lovell Lectionary')

border including grotesques, two angels holding a shield with the arms of Holy Trinity Priory, Aldgate, London in the upper margin, and the arms of the Holand and Lovell families in the lower margin. ff. 1-3 are paper leaves.The name

Gothic text on the verso of initial from Ps. 109: 2-4, reading: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do / minare i(n) medio inimi / corum tuorum. / Tecum pri(n)cipium i[n] die / virtutis tue in splen / dorib(u)s s(ancto)rum ex utero / an(te) luciferu(m) genui te. / Iuravit d(omi)n(u)s et non / penitebit eum tu es sa'. Affixed nineteenth-century inscription reading: 'Magnificent sheet from a Missal bought at Palermo in 1803. Painted by Peter Peruginei the book contained two large paintings and eight smaller ones which with much regret cut from the binding in consequence of the fear of losing the book - it having been taken from the convent of St. Jerome. It is to be regretted that we possess but very incomplete accounts of the artists of the 13th and fourteenth centuries to whom we are indebted for the labours and often splendid performances which decorate the choral books and other illuminated manuscripts written in Italy during these periods. Sometimes it is true these illuminations were the work of monks who could do little more than evince their devotion to the saints by their prodigial use of gold and rich colours, still it is certain that the cloisters often produced Artists of great ability, and besides Italy as at all times produced professional illumanists and miniature painters of an Superior Order, this book could it have remained perfect by the Chevalier de Bronti - at 1000 Florins - and he remarked that whatever now remains to us of those performances merit our highest veneration as the monuments of a LOST ART - W.Y.O'., Cutting from a Missal

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British Library Catalogue of Illuminated Manuscripts

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