• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured drawing as part of a longer series, in Martinus Polonus's Chronica., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.6.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'U'(sque) with penwork decoration, and part of the border decoration around the two columns, at the beginning of Johannes de Hesdinio's Commentarius amplissimus in librum Job., Commentarius amplissimus in librum Job

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Ownership inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'P'(rima), at the beginning of the second volume of Ludolphus de Saxonia's Vita Christi., Vita Christi (pars II)

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.6.3’, f. ii).Purchased by the British Museum from the Royal Society of London together with

• Detail of a drawing of a pope and two women., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• null, Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Text page., The Siege of Thebes

the Royal Society in 1667.The Royal Society, London: its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of puzzle initial., Bible with prologues, and Interpretation of Hebrew names (ff. 488-525v)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Text page., The Siege of Thebes

the Royal Society in 1667.The Royal Society, London: its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels; and the historiated initial 'C'(um) of David playing the harp with two angels, at the beginning of Psalm 4., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Psalm 4. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4

• Detail of a miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

two angels. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4

• Decorated initials, line fillers, and a partial trompe l'oeil border with a bee., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and partial trompe l'oeil borders with flowers and a butterfly., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border of flowers., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border, with a butterfly and a ladybug., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation