• Detail of decorated initial., Grammatica maior

his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7945: his London sale, 2 March 1789, lot 12851, bought by Edwards for £1 2s.James Edwards (b. 1756, d. 1816), book collector

• Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Single leaf of a Book of Hours

68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). 1 large miniature of the Visitation, accompanied by a large decorated initial and

• Flourished initials 'A' and 'P', with a pecia note in the left margin: 'Finit lxxv pe.'., Commentary on the Decretals of Gregory IX

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the

• Evangelist portrait of Luke, with his symbol, the ox, above., Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables (ff. 6v-12), and capitulary (ff. 199-208v)

Harley for 1100 guilders (see C. E. Wright and Ruth C. Wright, ~The Diary of Humfrey Wanley 1715-1726~, 2 vols (London: Bibliographical Society, 1976), I, 38 n. 5).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Historiated initial at the incipit to Luke, 'Quoniam Quidem,' depicting an angel appearing to Zachary., Four Gospels (the 'Golden Gospels', 'Harley Golden Gospels'; 'Codex Aureus'), with canon tables (ff. 6v-12), and capitulary (ff. 199-208v)

Harley for 1100 guilders (see C. E. Wright and Ruth C. Wright, ~The Diary of Humfrey Wanley 1715-1726~, 2 vols (London: Bibliographical Society, 1976), I, 38 n. 5).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl

• Detail of a miniature of Edmund's body being taken to London., Metrical lives of Saints Edmund and Fremund, in the presentation copy for Henry VI, including the prologue (ff. 1v-5)

Edmund's body being taken to London. John Lydgate (probably from Lidgate or Lydgate, 10 miles from Bury), a monk of the abbey of Bury St. Edmunds, translated this work on the life of king Edmund and his cousin Fremund from

• Detail of decorated initial., The Life of Catherine (ff. 1-117v), etc.

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of inscription., The Life of Catherine (ff. 1-117v), etc.

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Initial 'A' with pen-flourishing, at the beginning of John Capgrave's Life of Catherine., The Life of Catherine (ff. 1-117v), etc.

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Ownership inscription at the end of the manuscript, stating that it was a gift to the Augustinian nunnery at Campsey from Dame Katherine Babyngton, a former subprioress., The Life of Catherine (ff. 1-117v), etc.

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Musical notation for canticles to Mary Magdalene, and verses to the Virgin upon the Crucifixion, in English and Latin., Miscellany

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

/ in 1838' (f. fly-leaf of album).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Text page with manumissions in Latin and Old English., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum) and manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern border at the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with a sketch of a man's head in profile in the margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels, probably intended for a 'Christ in Majesty' miniature., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,