• Decorated initial 'A'(nno) with pen-flourishing including ivy leaves., Chronica pontificum et imperatorum

(index Robert Yvory), 'frater' and 'Magister Provincialis' of the Carmelites, London (1372-1392): inscription recording the gift of the manuscript by Robertus Yvory to the convent (f. 1).A Carmelite convent, London, 14th century: inscription recording the gift of the manuscript by

• Text page with manumissions in Latin and Old English., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum) and manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with manumissions in lower margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern border at the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with a sketch of a man's head in profile in the margin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels, probably intended for a 'Christ in Majesty' miniature., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with manumissions in Old English and Latin., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Historiated initial 'I'(n) with seven roundels of the creation of the world, at the beginning of Genesis., Bible with prologues, and two versions of Psalms

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 5; its book-plate with the pencil inscription: ‘XIII.3.8’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'B'(eatus) with coloured infill, at the beginning of the Psalms., Bible with prologues, and two versions of Psalms

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 5; its book-plate with the pencil inscription: ‘XIII.3.8’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Music., Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry

• null, Music and carols for Holy Week (begins and ends imperfectly)

a band to the right-hand edge (inside upper cover), and a monogram 'JTJ' (inside lower cover).Bernard Wilson, Esq., of Hampstead, London (see British Museum catalogue).Bought by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry