• Miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), and partial foliate borders, at the beginning of her legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Text page of the Golden Legend (George)., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Text of the Golden Legend (the Passion)., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Decorated iInitial 'Q'(uoniam) with foliate decoration, at the beginning of the prologue to Josephus's De bello Judaico., De bello Judaico

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), pp. 100, 269).A 'Marquiss of Donegall': book-plate withthis crest and coronet on a mantle (f.

• Puzzle initial 'N'(eronem) at the beginning of Book 3 of Josephus's De bello Judaico., De bello Judaico

Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), pp. 100, 269).A 'Marquiss of Donegall': book-plate withthis crest and coronet on a mantle (f.

• Detail of a miniature of the stoning of Stephen, with an historiated initial 'E'(stienne) of Stephen preaching, at the beginning of his legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Detail of a miniature of the conversion of Saul (Paul) on the road to Damascus, with partial foliate borders, at the beginning of the legend of Paul., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Detail of a miniature of Juliana beating the devil, with an illuminated initial 'I'(ulienne), at the beginning of her legend., The Golden Legend (La Légende Dorée)

31 July 1844. Sir Thomas Brooke, Armitage Bridge: his book-plate (inside upper cover, vols 1 and 2). G. I. Ellis, London bookseller: cutting of his catalogue, no. 79 (pasted in vol. 1 to the 1st flyleaf [f. vi]); bought by

• Illuminated canon tables with a foliate pattern, preceding the Gospels., Letter to Carpianus and canon tables

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond. / ex dono HENR. HOWARD / Norfolciensis', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Coloured initial 'B'(ene)., Epistolae, De habitu virginum, De lapsis, and other works

Royal Society in 1667.The Royal Society, London: its bookplate (f.i); its ink stamp 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel

• Detail of the arms or the Urswick family and the motto 'Misericordia' in the lower border., Manuale (ff. 2-46v), Retractiones (extract), De beata vita (ff. 47-86v); and Psalms, Prayers, Litanies

Publications Society, 1950- ), I: Edward Heawood, ~Watermarks: Mainly of the 17th and 18th Centuries~, no. 463 (dated 1711 to London). A partial scatter border (f. 2). A historiated initial with a portrait of Augustine (f. 2). Large and small

• Marginal decoration of a dragon., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Initial word, ~Kol~ (all), at the beginning of ~Kol nidre~ (all vows) inhabited by dragons and hybrids., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Decorated catchword., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Miniature of prince Henry in armour on horse-back (oxidised)., 'Le Pourtraict de Monseigneur le Prince': a description of Henry Frederick, prince of Wales, as a champion of Protestantism

Library): included in the catalogue of 1666, Royal Appendix 86, f. 86, no. 11.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Prince Henry in armour on horse-back England, S. E. (London)

• Detail of historiated initial with bishops., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• White vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• White vine initial 'C'(inne), and full white vine border with birds, a rabbit, and two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with