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according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 60630, ff. 13-18, 39-42; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The
Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers.Other cuttings possibly from the same Missal are London, Sotheby's, 2 December 1997, lot 83 (former Mr Neil F. Philips, Q. C., Collection); and Vatican City, Biblioteca Apostolica
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
of humanist Alamanno Rinuccini, see de la Mare 1984, pp. 262-63; de la Mare 1985.Vertical catch words.The Master of the London Pliny was active in Venice and Naples from 1472 to 1483 (see Bollati 2004). He derives his name from
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
held from 1429 to 6 May 1481. The miniatures have been attributed to the circle of the Master of the London Wavrin (see Kren and McKendrick, 2003). Harley 6199 is the first manuscript to contain full-length portraits of the patrons
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire
according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire