• Detail of historiated initial 'U' with an angel holding a book., Epistola de vita S. Dunstani; Life of St Dunstan

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of a miniature of a tower symbolising the Virgin, with coats of arms., Speculum humanae salvationis

notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff.

• Miniatures of the death of Codrus, king of Athens: disguised as a peasant, he seeks to be killed by enemy soldiers to save his city, because he had learned from the oracle that the side whose king fell would be victorious ; and on the right, Eleazar, brother of Judas Maccabeus, kills an elephant of war and is killed himself when the elephant falls on him., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of miniatures of the Deposition; and of Joseph's blood-stained coat being shown to Jacob, who tears his clothes on seeing the garment, illustrating chapter 26., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Miniatures of the Resurrection, with the elect and the damned; and on the right, the three Hebrews in the fiery furnace., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of miniatures of the giving of the Tablets the Law to Moses; and on the right, the widow's oil, illustrating chapter 34., Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Miniatures of hell and the torments of the damned, illustrating chapter 41., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Detail of a miniature of an angel playing an instrument, illustrating chapter 42., Speculum humanae salvationis

notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff.

• Miniature of figures holding scrolls., Speculum humanae salvationis

in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial border

• Detail of a miniature of Christ enthroned, illustrating chapter 42., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Detail of a miniature depicting a woman at a fountain handing a chalice to a man, while two camels drink from the fountain (the Samarian woman and Christ at the well?), Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of a miniature of the betrayal of Christ., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Miniatures of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial

• Detail of a miniature of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

ac Serenissimi Re/gis Anglie Henrici Septimi vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Paul Pieter Meghen Pieter Meghen London England, S. E (London)

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, urns, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The