• Detail of a miniature depicting a woman at a fountain handing a chalice to a man, while two camels drink from the fountain (the Samarian woman and Christ at the well?), Speculum humanae salvationis

Catchwords. Middle Dutch notes underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures

• Detail of a miniature of the betrayal of Christ., Speculum humanae salvationis

the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1

• Miniatures of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52). 1 partial

• Detail of a miniature of the Feast of Ahasuerus, with musicians., Speculum humanae salvationis

underneath the miniatures in quire C.The miniatures were painted by a Dutch artist, probably based in London. 192 miniatures (2 per page, ff. 3v-51) and 2 full-page miniatures, each divided into 6 compartments featuring two figures holding scrolls (ff. 51v-52).

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), and a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'M'(ulta), at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Decorated initial 'D'(icto), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Lower part of a full foliate border with a rebus of a bird perching on a tun inscribed 'MOK' (sic), at the beginning of the second part of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: 'XIII.7.37', f. ii).Purchased by the British Museum from the Royal Society of London together with

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

ac Serenissimi Re/gis Anglie Henrici Septimi vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Paul Pieter Meghen Pieter Meghen London England, S. E (London)

• Initial 'H' at the beginning of Odo of Meung's De viribus herbarum., De viribus herbarum and a short medical text

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with pencil

• Detail of a miniature of the marriage of Alfour, king of Sicily, and princess Sybil of Spain., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of prince Philip surreptitiously leaving Paris to go to the aid of the king of Sicily., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of the Christian fleet approaching Gaeta with archers poised to defend the city., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of a storm destroying the Christian fleet., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of the Turks withdrawing their seige., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of the Turkish army with its baggage train leaving a Sicilian city., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of princes Philip, Humphrey, and David taking leave of Ferant the Turk., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of the emperor travelling to Rome and his coronation at Milan., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in