• Coloured initial 'U' with penwork decoration., Fragment from and Canon law (?) text, on paper

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Detail of a roundel of men making barrels, on the page for August in the Calendar., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of the Massacre of the Innocents, a decorated initial 'D'(eus), and full all'antica border with putti, gems, emblems, and biblical figures., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Miniature of David enthroned, at the beginning of the Penitential Psalms., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• A dismembered montage of a section of foliate and historiated border with zoomorphic figures, trompe l'oeil gems and a roundel containing a seated female personification of Roma (Rome) facing left in profile, holding a winged victory in her right hand and a sword in her left with at her feet piled trophies of arms and shields (f. 10b; 245 x 60 mm; at centre of image) and two sections of foliate border with anthropomorphic grotesques (f. 10a, 245 x 60 mm; f. 10c, 240 x 60 mm). On the reverse of f. 10b are remnants of a foliate, historiated border with two simulated cameos., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a section of foliate border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable, two cameos of male busts in profile flanked by the iitials 'M. C.' and 'T. A.', foliage and urns in monochrome (f. 6b; 80 x 155 mm), and two cuttings in gold inscribed in capitals 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 6a; 75 x 15 mm) and 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 6c, 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a historiated initial 'T' of Christ supported in the Tomb as Man of Sorrows (f. 9e; 105 x 85 mm), sections of foliate and historiated border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable (f. 9a; 250 x 60 mm) and God in roundels (f. 9b; 30 x 85 mm), foliage (f. 9d, 60 x 85 mm; 9f, 70 x 90 mm) and anthropomorphic figures (f. 9c; 255 x 55 mm) and cuttings in gold (f. 9g, 5 x 55 mm; f. 9-h, 5 x 90 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a historiated border, with the text removed, of gold cartouche frames with four scenes in gold monochrome, two inscibed 'Protecta Vestae sussitatis mortuis' (centre left) and 'Johannes destruit templum Dian[a]e' (centre right), garlands of flowers and fruit, lions' heads, naturalistic birds, cherubs and angels, and four medallions inscribed (clockwise from left): 'Qui / timet / deum faci / et bona', 'qui / conti /nens est iu / stiae appre / hendit / illam', 'quasi / mater / honori / fica ta', and 'et / ?ob /?stabit / il / le' (f. 81a; 335 x 245 mm); a cartouche, with the centre removed, of two old men trampling on dragons and plaques inscribed 'Super aspidem ei pasi / lis cum ambulabis' and 'et conculcabis le / onem et draconem' (f. 81c; 45 x 160 mm); a centre for the cartouche inscribed 'Apollonius de Bonfratellis / de Capranica / Capellae et Sacrestiae Apostolicae Miniator / Fecit Anno Domini MDLXIV / Sedente Pio IV Pontif Opt. Max. / de Medicis Mediolanense', with off-setting of rubric and text from the verso of the cartouche (f. 81d; 45 x 170 mm); 1 section of architectural border (f. 81b; 10 x 245 mm); and two strips of scrolls (ff. 81e and f; 50 x 100 mm each). On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot 47; part of Philadelphia, Rosenbach Museum and Library, 54.662 (see Roger S. Wieck, 'Papal

• verso of dismembered montage of a historiated border. On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot 47; part of Philadelphia, Rosenbach Museum and Library, 54.662 (see Roger S. Wieck, 'Papal

• Detail of calligraphic specimens with decorated initial 'O' signed by Petruccio Ubaldini, dated 1550, and dedicated to Edward VI (in the fourth year of his reign)., Specimens of Calligraphy

Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)

• Pen-flourished initial 'I'(n dei nomine amen)., The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church, London

Church, London. 5 large initials in blue with red pen-flourishing (ff. 1, 2, 9, 10v, 11v). Marginal notations and rubrics in red. Paraphs in red or blue. The Endowment and Orders of Sherington’s Chantry, founded in Saint Paul’s Church, London

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Christ in Majesty or God the Father seated in a mandorla on a rainbow, carrying a gold sceptre in his right hand and an orb in his left, with 'Beati immaculati' in display text (top miniature)., Cutting from a Breviary, containing text from psalm 118

same Breviary are Cleveland, Museum of Art, 1951.548 and 1953.21 (see P. D’Ancora and E. Aeschlimann, The Art of Illumination. London, 1969, p. 230, pl. 131; and Mirella Levi D’Ancona, ~The Wildenstein Collection of Illuminations: The Lombard School~ (Florence: Leo

• Historiated initial 'R' of a king with foliate extension and bezants (top centre)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'E' of a king praying (left centre., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'S' of a king praying (right centre)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'D' of a turbaned man with an architectural background in monochrome (lower centre)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'E' of a king praying (top)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;