• Pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Detail of a pen drawing illustrating Psalm 113., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Miniature of Jerome, seated under a canopy, with the hand of God above., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Miniature of Matthew, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Detail of a miniature of Luke, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Miniature of John, holding a manuscript, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Marginal drawing of travellers, speaking In English, in the margin of Jacobus de Voragine's life of Cecila., Legenda aurea (index Legendae sanctorum; Legends of the saints; Golden Legend)

2nd baronet, antiquary, in 1626: signature and note that he purchased the manuscript from a bookseller ('librario publico'), in Aldersgate, London, 1626 (f. 245); probably his ink foliation throughout.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Title and initial in display capitals at the beginning of Cicero 'Orationes in Catilinam'., Works, including 'Epistolae ad Familiares' (ff. 1v-51v), 'Philippics' (index Philippicae) (ff. 71-113), 'Ciceronis in Sallustium et invicem invectivae' (ff. 113-114v), 'Orationes in Catilinam' (ff. 115-125v), 'In Verrem actio II' (ff. 159v-164v), and 'De officiis' (ff. 164v-180')

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Initial 'L'(iber) with interlace decoration and display script in gold, framed by a 'Winchester style' border with foliage intertwined with gold bars, and four medallions with saints holding books and a cross (Evangelists?), at the beginning of Matthew. The name of the manuscript's owner, Lord Lumley, is inscribed in the lower margin., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• A charter of Cnut, in Anglo-Saxon (promulgated probably c. 1017, when Cnut became king of all England), addressed to Archbishop Lyfing (1013-1020), Godwin, bishop of Rochester, Ælmær, abbot of St Augustine's, Canterbury (1006-1022), and others, confirming the privileges of the church., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Historiated initial 'T'(his) of Henry VII giving the manuscript to a group of monks, with full bar border with the arms of England., Quadripartite Indenture for Henry VII's Chapel

the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Henry VII England, S. E. (London)