• Miniature of an armed knight of Prato on horseback., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Armed knight Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the Tree of the Royal House of France, bearing the crowns of France, Jerusalem, Sicily, Navarre, and Hungary., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

(c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Royal House of France Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'O'(mnipotens)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'T'(u es rex)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Text page., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the personification of Philosophy, crowned and holding a sceptre., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Philosophy Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Puzzle initial 'U'(t)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Blank folio., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Blank folio Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Pegasus at the foot of a mountain., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Pegasus Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of the personification of the Seven Liberal Arts: Astronomy, Music, Arithmetic, Geometry, Rhetoric, Logic and Grammar., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Seven Liberal Arts Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Four Muses: Clio (history), Melpomene (tragedy), Euterpe (music) and Thalia (comedy)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Four Muses: Polyhymnia (choral poetry), Erato (lyric poetry), Terpsichore (dance) and Urania (astrology)., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Four Muses Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Miniature of Calliope, the muse of heroic or epic poetry. She stands before a vase-shaped fountain with water flowing out, and plays a horn., Address in verse to Robert of Anjou, King of Naples, from the town of Prato in Tuscany (the 'Regia Carmina')

under his protection (c. 1335-40); his arms (f. 2v), and portrait (f. 10).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calliope Pacino di Buonaguida Convenevole da Prato Tuscany Italy, Central (Tuscany)

• Decorated initial 'F'(ur in see bi west Spaynge) at the beginning of the poem, The Land of Cokaygne, which begins: 'Far out to see and west of Spain / There is a country named Cockaygne. / No place no earth compares to this / For sheer delightfulness and bliss.', The Kildare Lyrics, including the Land of Cokaygne (ff. 3-6v)

Land of Cockaygne, survives only in this manuscript. For the full text of the poem and two versions in modern English, see: <http://www.thegoldendream.com/landofcokaygne.htm> [accessed 8 September 2008]. Large initials in red with purple pen-flourishing or in blue with red pen-flourishing.

• Historiated initial of a scholar, with a partial border., Miscellany, including Patefit, Electiones laudabiles, Sermo de regulis compotistarum, Canones eclipsium, Ad habendam diversitatem aspectus lune pro situ in epiciclo

from Scott together with other 311 manuscripts from Theyer's library. Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Scholar Iohannis de Ianua, Iohannes (Danck) de Saxonia and others France, Central (Paris)

• Miniature of Jonah and the Whale, including a small initial 'S'(alvum), and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68., Psalter, Use of Sarum (the 'St Omer Psalter')

and a historiated border with eight roundels of scenes from the Old Testament, with cycles of the Battle of the Philistines and the building of Solomon's Temple, at the beginning of Psalm 68. This manuscript was formerly Additional 39810. 1

• Miniature of the Lamb with the Manus Dei, the Evangelists' symbols, and 24 Elders, at the beginning of Revelation 5:6., Apocalypse (Revelation)

pen-flourishing. Apocalypse (Revelation) The Old Royal Library (the English Royal Library): perhaps in the catalogue of 1666, Royal Appendix 71, f. 14.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. The vision

• Miniature of the Lamb receiving a book with the seven seals from Christ enthroned with the Evangelists' symbols and 24 Elders, at the beginning of Revelation 5:7., Apocalypse (Revelation)

pen-flourishing. Apocalypse (Revelation) The Old Royal Library (the English Royal Library): perhaps in the catalogue of 1666, Royal Appendix 71, f. 14.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. The vision

• Penwork initial., Bible (Genesis to Tobit) with Jerome's letter to Paulinus, Preface and Prologues

on the same folio the English 'blere eyed' is written in the margin as a gloss to the following 'eiant blaimcheure es oels', ~having blemished eyes~ (f.80).the French for ‘thorns’ is omitted and the English 'stake' is written in the

• Puzzle initial 'C' with pen-flourishing in a leaf pattern. Decorated initials., Lancelot du Lac (imperfect at the beginning and end)

(imperfect at the beginning and end) The Old Royal Library (the English Royal Library): in the catalogue of 1666 (f. 11v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Puzzle initial England