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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

71 results from this resource . Displaying 21 to 40

of sheepand a group of people talking. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,

a landscape with sheep, goats, cattle, sheep-shearing, and milking. 17 miniatures with large historiated or decorated initials and full borders, with all'antica elements including putti, candelabrae, swags, cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at

a landscape with sheep, goats, cattle, sheep-shearing, and milking. 17 miniatures with large historiated or decorated initials and full borders, with all'antica elements including putti, candelabrae, swags, cornucopiae, dolphins, sphinxes, masks, trophies and heraldic decoration, in colours and gold, at

back turned) and birds, with two medallions of a squirrel and a pig (?) and including the first owner’s inscription in decorated panels. Parallel Hebrew foliation. Gilt edges.Censors’ erasures (e.g., ff. 2, 8v, 154, 155v, 178v, 183)Hair side and flesh

physician and collector: inscription 'Bibliotheca Sloaniana' (f. 1).Former shelfmark (?) '5Vh' , and crossed out (ff. 1, 1v). Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Plant and

calendar pages with tinted drawings in colours of the labours of the months and the signs of the zodiac, and various pictures and emblems representing saints' days and other feasts (ff. 5-16). Drawings in colours of notable events; written above

drawing water and a pig being slaughtered. The date 1582 is inscribed in gold in a roundel on f. 15 and on blocks of stone on ff. 27, 28. 22 full page miniatures of alchemical subjects in colours and gold

in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the

a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and

and a hybrid figure and an historiated initial 'D'(omine) of sheep, oxen and calves being killed and eaten. The former 18th-century binding now kept separately as Egerton 3277B. 15 very large historiated initials with three-sides bar borders in colours

in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the

in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the

the Labours of the months, in colours and gold, in the calendar. 1 full page prefatory miniature of the Annunciation in colours and gold, and 1 full page historiated initial in colours and gold, at the beginning of the Psalter

Donatian and Rogatian in red (24th May; venerated in Nantes and in the diocese of Meaux), and Fara (7th December, venerated in Faremoutier in Brie), but it includes as well both John and Genevieve (3rd January, f. 1), and the

tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 27 June 2024), https://www.manuscriptsonline.org/search/results?ft=t&kw=pig%20and%20sheep&sdf=1250&sr=ci&st=20