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the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold
287). Catchwords and bifolium signatures. 143 historiated initials in colours, gold, and silver, with full borders, at the beginnings of biblical books and prologues and 1 miniature in the margin (f. 192v). 23 large foliate initials in colours and gold,
andsheep past a crippled and a king. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
and the Trinity (f. 108v). Small marginal calendar miniatures in colours and gold with the labours of the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red
1500] of the enthroned Virgin and Child with several sheepand a Franciscan monk and a nun, is pasted to f. 1v. 13 three-sided bar borders with bas de page scenes in colours and gold, and large historiated initials, many
colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black
the year five thousand and two hundred and nineteen from the Creation of the World which we reckon here in Bologna; and in order that he may have good title and proof, I have signed and accomplished that which I
red and blue ground with a three-sided foliate border (f. 15). Small initials (2 lines) in gold on red and blue grounds with foliate extensions into the margins. Small initials (1 line) and line fillers in gold on red and
All pages with full foliate borders and bas-de-page scenes and grotesque decoration, in colours and gold. Large and smaller decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours,
All pages with full foliate borders and bas-de-page scenes and grotesque decoration, in colours and gold. Large and smaller decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours,
including heraldic arms and figural, zoomorphic and grotesque decoration, in colours and gold (ff. 7, 17v, 24v, 31, 37v, 45v, 53, 61, 92, 249v, 316, 330). Smaller and small decorated initials and line-fillers, numerous containing heraldic arms and figural or
miniature of a man and a woman slaughtering a pig, representing December, in Matfré Ermengau of Béziers's Breviari d'Amour. The text is originally a Provencal poem composed between 1288 and 1292 by Matfré Ermengau of Béziers, and is an encyclopaedic
the year five thousand and two hundred and nineteen from the Creation of the World which we reckon here in Bologna; and in order that he may have good title and proof, I have signed and accomplished that which I
colours and gold with foliate initials in gold and colours and full bar borders containing bas-de-page scenes, at the beginning of the prologue and Proverbs (ff. 1, 273). 87 one-column miniatures in colours and gold with foliate initials and partial
1v-66v) and 4 miniatures in colours and gold of the tree of Jesse, Ancestors of Christ, and Apostles and Prophets (ff. 67v-70). 12 miniatures in colours and gold of the Labours of the Months and 12 miniatures in colours and
in grisaille, colours and gold, with a full bar border with a bas-de-page scene and birds, at the beginning of the text. 36 one-column miniatures partially in grisaille, colours and gold, and large foliate initials in colours and gold with
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
a slingshot and rocks, surrounded by sheep on a hillside. With illuminated initials in gold and colours and a partial bar border. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic
predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters and guide-numerals. Bible with prologues, without