• Historiated initial of the Adoration of the Magi., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated initial of a monk praying before an altar., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated initial of the Resurrection., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Detail of a historiated initial of Pentecost., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Detail of historiated initial of the Trinity., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Detail of historiated initial of the Presentation., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Historiated initial of the Presentation., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Decorated initial 'A'(rchidiaconus) with pen-flourishing at the beginning of 'De officio archidiaconi et eius visitacione tractatus'., Constitutiones of bishop Peter Quivil (index Peter Quinil) at the 1287 Exeter Synod (ff. 4-48v), 'Summula Sinodi' (ff. 49-58v), 'De officio archidiaconi et eius visitacione tractatus' (ff. 59-70), 'Constitutio de pastore in viduatam ecclesiam (ff. 70v-71)

and 77 are former pastedowns. ff. 71v-[73a] are ruled leaves originally unwritten. ff. 1-3v and ff. 74-77 are medieval parchment quires with later additions. Catchwords written horizontally. Leaf signatures. Large puzzle initial in red and blue with pen-flourishing in red

• Centre section of the folios showing marginal notes., Ab Urbe condita (index Codex Aginnensis)

The manuscript contains the rare fourth Decade as well as unusual textual variants. It is missing its initial and final quires; 'instead of the whole of the first, third and fourth Decade, it only gives the text of the Ab

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

Evangelist below. The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146).

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials

• Foliate initial 'C'(umque) at the beginning of the prologue., Genesis and Exodus, with the Glossa ordinaria

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

• Historiated initial 'F'(rater) depicting Jerome and Damasus (above), and Jerome and Ambrose (below), with the ownership inscriptions of Abbot Robert de Bello at the top of the page and under the feet of the peacock., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• Historiated initial 'L'(iber) depiciting a Tree of Jesse, at the start of Matthew; the prologue has a smaller historiated initial 'M'(atheus) depicting two male figures., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• Miniature divided into two registers, representing the ideal state of the 'Sainte-Abbaye.' The upper register represents the celestial church, and the lower an earthly nunnery; God is at the centre, surrounded by angels, Evangelists' symbols, the Virgin and St Peter; and in the lower register, a Cistercian Abbess, nuns and novices., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

• Miniature of a mass attended by officials of a nunnery inside a church. On the right, a priest, in chasuble, is at the altar, with a deacon, an abbess with book and crozier, and nuns, including the sacristan pulling the bell ropes. Below, a procession is led by a clerk carrying a processional cross, followed by a priest, and nuns, two with open books, and the abbess with book and crozier., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

• Detail of six nuns, two with open books, from a miniature of a procession to mass., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

• Miniature divided in four compartments: a nun confessing to a monk; the nun praying before an image of Christ crowning the Virgin; the nun's vision of Christ; the nun's vision of the Trinity., 'La Sainte Abbaye' (ff. 2-7); a treatise on love (ff. 7-28); Livres de l'estat de l'ame (ff. 28v-51v); Tractatus de tribulatione (ff. 53-82)

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,